
Sparrow Records has recently released Aaron Spiro's debut album, Sing. Is it worth your time and, more importantly, your money? Well, maybe to some...but definitely not everyone.
While it does have a few tracks that may get you tapping your foot, such as the title track or "Thrill," most of the songs are just hard to get into. While I do believe Spiro definitely could put out a good album, it seems that his full potential is lacking on his first attempt. Sometimes it's just hard to separate this album from others out there, as they all sound similar.
Even though the album does have its flaws that doesn't necessarily mean it's a terrible album, it can be enjoyable at times. It's just that it feels like something is missing, and hopefully Aaron Spiro will fill this gap in his next musical installment.
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Other coverage for this album
The Phantom Tollbooth 2002Reviewed by Bert GanglIt's been argued that just about any producer, to one degree or another, places something of a characteristic stamp upon any project that they oversee. Given that all eleven tracks on Seattle native Aaron Spiro's debut outing, Sing, feature some combination of production, songwriting or instrumental input from veteran artist and producer Charlie Peacock, it comes as perhaps no surprise that…
The Phantom Tollbooth 2002Reviewed by Mike RimmerThese days it's sometimes harder to spot a worship album than ever before as our understanding of what constitutes a worship album seems to be mutating. Where once a worship album would be a collection of songs (often recorded live) that a church congregation might be able to sing together, these days there's something else going on. Or maybe we now like to brand things "worship" because that…Similar sounding releases
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