The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    HM Magazine #109/Adios
    Adios — The Ropes cover

    Adios

    The Ropes

    (2003)

    Reviewed by James Wetz

    DiscogsBandcampApple MusicTIDALSpotifyYouTube Music
    Label TribunalHM Magazine #109September/October 2004
    emoindie rockpost-hardcore

    Fans of college radio should have no problem digesting these Akron, Ohio boys. Their debut album, The Ropes, is ten tracks of harmony-laden indie with a hard edge. Slow tempo abounds throughout, but there is enough guitar distortion to hint at shades of Sunny Day Real Estate, Noise Ratchet, and Further Seems Forever. Don't let their age fool you (they'll be the ones with big black X's marked on their hands at concerts): the sound Adios has created is well beyond their years. The Ropes sounds very reminiscent of Noise Ratchet's Till We Have Faces. On first listen, a lot of tracks on both respective albums have a similar feel, and it takes repeated listens for each song to begin taking their own identity. Once they do, look out. Adios is catchy enough (minus the pop music feel) to garner attention, especially if their future releases are budgeted for higher production levels.

    Similar sounding releases

    2003Old Devil MoonMidnight and Bright2001Crash RickshawCrash Rickshaw2003FletcherFriends Don't Speak2002The GhostThis is a Hospital1996Black Eyed Sceva5 Years, 50,000 Miles Davis2000Tragedy AnnViva La Revolucion

    Also in HM Magazine #109

    2004Further Seems ForeverHide Nothing2004TilesWindow Dressing2004Mourning SeptemberA Man Can Change His Stars2004UnderoathThey're Only Chasing Safety2004Hit The DeckLook Alive2004AletheianApolutrosis