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    The Phantom Tollbooth 1997/Blackball
    Blackball — Hope cover

    Blackball

    Hope

    (1997)

    Reviewed by Tony LaFianza

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    Label Metro One MusicThe Phantom Tollbooth1997
    alternative rockfunk rockhard rockrapcore

    So I said Hey Man
    Look at these new shoes
    I got the seventies on my radio
    I got a gold and pink impala
    That's jacked up in the back
    If we don't hurry we'll be late for the show

    These lyrics from "Hey Man," the seventh tune on this second album by Blackball, describe the buoyant mood of this record pretty well. It's that feeling of driving to a show while gettin' down with a little seventies-type groove on the radio. On the other hand, Blackball is also as "today" as the popular alternative radio favorite 311, one of the bands Blackball sounds a lot like, especially when rocking and singing harmonies.

    Chris Scott from Precious Death is the leader and main song writer here. Lorenzo, Rocco, and Tom round out the other three corners of this talented band, with loads of help from Farewell To Juliet's own Jeff Elbel on guitars. This is not metal music, however. The band has effectively mixed jazz riffs into their funky alternative and only occasionally break into some metal moments. The style may still be evolving. Besides that, the only other small complaint I may have is that Scott's vocals are a little weak in a few places (strong through most of the record, though).

    The album is produced and recorded by the great Gene Eugene of Adam Again, who also plays keyboards here, and his funky fingerprints are all over the place. On the second tune of the disc, "All God's Children," Blackball takes from Southern rock and church music to come up with a horn-infested, dance-in-the-aisles groove, with a fast-trilling trumpet break in the middle. The next tune, "Just Don't Know," also uses great horn moments (by Mike Maffey) to keep the listener moving to a rap-core headbanger. Then a real funky Sly Stone influence comes on strong underneath another headbanger called "Funk For Breakfast."

    The record is called Hope, and that seems to be the theme running through many of the songs. The lyrics deal with relationships and disappointments but point to the hope that Christ gives us, which can sustain us today and carry us to a better place tomorrow, as these from Gospel music rocker, "Everybody Wants To Get Over It":

    I'm going away
    I'm finding a place where the sun shines
    Just ask me I'll say
    I said I'm going away
    I'm going away
    I'm leaving the past where it should be
    No matter what they say
    One day I'm going away

    This hard rockin', funky record has some very cool moments on it, with a few weak spots. Overall I like it quite a bit.

    3.5 tocks

    Other coverage for this album

    7ball #13Reviewed by Dan MacIntoshWith its second album, Blackball takes us back to when old school funk ruled the airwaves. Though they fall a little short of the glory which was Parliament-Funkadelic, Hope contains enough musical nuggets to bring back fond memories of otherworldly funkateers like Bootsy Collins, Sly Stone, and James Brown. Rocco Sigona certainly has the right idea when it comes to scratching out great guitar…

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    1997SelfmindeadSelfmindead1997The WaitingThe Waiting1997EagerEager1997StonBluDissidence1997Various ArtistsIn Spirit and in Truth - 11 New Songs of Worship for the Church1997Trammell StarksSanctuary