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    The Phantom Tollbooth 2000/Busker Kibbutznik
    Busker Kibbutznik — Christians and Cannibals cover

    Busker Kibbutznik

    Christians and Cannibals

    (2000)

    Reviewed by Linda J. T. LaFianza

    Discogs
    Label independentThe Phantom Tollbooth2000
    experimentalspoken wordworldworship

    The Jesus People USA Busker Kibbutznik project will be distributed at 2000 Cornerstone at cost and as a premium for pre-fest ticket purchases. A collage that borrows from many sources and traditions, I'm told that satisfying copyright restrictions would be cost prohibitive, but this project is too good to be buried in a 5,000 piece run. Somebody finance this band!

    JPUSA is a community that encourages artistic exploration and expression, and this project is the logical extension of that nurture. Didgeridoos join Tibetan throat singing, atonal women's voices, a sitar, industrial byproducts, Hebrew, Chinese, King James English, T. S. Eliot, flutes, gongs, and every type of percussion instrument ever created to worship their creator.

    Originally staged as a Christmas piece, at the urging of the audience Kibbutznik's many members recreated their cantata in the community's recording studio this past winter. During that process, the body of work doubled in size with the addition of a series of spoken pieces whose connection with the incarnation is much more obscure. This is a sprawling, disjointed work-in-progress but its incomplete nature adds to its immediacy.

    In the canon of "alternative" Christian worship music, this piece is a worthy successor of the At the Foot of the Cross series. It is challenging, yet accessible for those with ears to hear, who are willing to suspend their western notions of scale and instrumentation for a bit to hear some new perspectives on some old, old themes.

    4.5 tocks

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