The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    The Phantom Tollbooth 2005/David Crowder Band
    David Crowder Band — Sunsets & Sushi cover

    David Crowder Band

    Sunsets & Sushi

    (2005)

    Reviewed by Jamie Lee Rake

    DiscogsApple MusicTIDALAmazon MusicSpotifyYouTube Music
    Label EMI RecordsThe Phantom Tollbooth2005
    electronicaworship

    Sparrow Records' continuing commitment to electronic/dance music mystifies as much as it pleases me. When remix sets by roster staples such as Avalon, Jump 5 and Zoegirl make the top five of Billboard's chart for such albums but barely graze the same trade magazine's contemporary Christian list, one has to wonder who's getting what money out of the deal. If any tracks from them are being played by DJ's who report to Bb's club and dance radio charts, I've not seen any cut from any of those collections make those charts.

    The latest in the series may be both the least expected and one of the most satisfying. When they're not being messed about in post-production, David Crowder Band number among the most listenable and intelligent in praise&worship rock bands. Perhaps because they care more about the elements of superior song craft (not to mention theological acuity) than many of their peers, their songs nevertheless lend themselves well to the pretentious, if descriptive, titled Sunsets & Sushi:Experiments In Spectral Deconstruction EP.

    Remixers, mostly with more Christian market than dance floor cred', tweak eight Crowder Band songs into house, electro-pop, light trance, and ambient experimentalism exercises. Though most of those behind the boards look to be fledglings at this kind of gig, the results succeed more often than not.

    For a group for whom lyrics define its objective, the dub effects given to a couple of these tracks threaten to defeat Crowder's purpose. No matter the after-the-fact treatments given them, there's no denying the melodic thrust of radio hits "O Praise Him (All This For A King)" and "Open Skies" as well as "Revolutionary Love" and "Stars" (given the trippiest workover of the bunch).

    Crowder pushes the envelope of some of his fanbase's perception of what his group's songs should sound like on S&S, but they should have plenty to like. Or ponder, at least. Whether any of it goes over clubwise-and whether Sparrow will partner with a specialty label or promotions firm to push it there-remains an equally significant question.

    Andy Hunter's work needs no remixing to make it relevant for the strobe light set. The English DJ/musician/singer's debut for Sparrow, Exodus, saw action not only among those seeking sweaty (secular) nightlife. His sleek, propulsive trance, etc. likewise found its way into videogame, TV, movie and promotional campaign use. The dance market push came by a partnership with Canada's Nettwerk Records.

    Hunter's six-song Life sounds like it will continue that streak of utilitarian musical evangelism. This time, however, there's a harder edge to his breakbeats. The trancey synth sheens are bolstered by metallic guitar edges.

    He not only refines his strengths, but pushes into fresh terrain. "Wonderful" sounds like Hunter's bid for dance-rock attention from the same folks who were blissed out over New Order 20 years ago or Bloc Party nowadays.

    Harkening further back, on a couple tracks, including "To Light To Life," Hunter sounds to be paying homage to producer/composer Giorgio Moroder's formative influence on trance. He succeeds at recalling a mentor and taking that mentorship into exciting directions.

    Lyrically, Hunter has toured the U.S. as a P&W act (a common context for sanctified dance in Ol' Blimey), though his words may not be as explicit as some might like when it comes to exaltation of the Most High. Since Hunter plays to and for many non-Christian audiences, his work begs the question of whether P&W is intended for those who don't yet know God, but let's save that for another day, OK?

    On the whole, Life excites, uplifts and encourages. That sums up the rationale for godly dance music mighty nicely.

    3.5 tocks

    Other coverage for this album

    The Phantom Tollbooth 2005Reviewed by Brian A. SmithTake the preeminent "modern worship" band today, mix it with a roomful of techno and computer wizards, and add drum loops, and what do you get? You get Sunsets & Sushi: Experiments in Spectral Deconstruction, the latest EP from the ubiquitous David Crowder Band, their third output in less than a year. The disc consists of eight remixes of previously recorded material, seven of which are Crowder…The Phantom Tollbooth 2005Reviewed by Burton WrayDavid Crowder Band has become a force within modern praise and worship. Fans love their songs, such as "Open Skies" and "Revolutionary Love." They have enjoyed a good bit of radio success recently. Their tours have been extremely successful. They have established themselves as one of the most creative bands in praise and worship today so fans welcomed the idea of a remix CD. Unfortunately, the…

    Similar sounding releases

    2001LocustWrong2004iamjenThe Broken EP2003The Postal ServiceGive Up2001Ian BrownMusic of the Spheres2001HalouWiser2000House of WiresMonogamy

    More from David Crowder Band

    2005A Collision2003Illuminate2004The Lime CD

    Also in The Phantom Tollbooth 2005

    2005The AmbassadorThe Thesis2005Paul ColmanLet It Go2005Patient ZeroSeemingly So...2005Bill MalloneeHit & Run2005LuxuryHealth & Sport2005Solomon JabbyZion Gates