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    Exit Zine 1999/Delirious?
    Delirious? — Mezzamorphis cover

    Delirious?

    Mezzamorphis

    (1999)

    Reviewed by Joel Thomas

    DiscogsApple MusicTIDALAmazon MusicSpotify
    Label Furious? Records / Sparrow RecordsExit Zine 19991999
    experimentalmodern rockrockworship

    Forget what you know about Deliriou5?; drop any preconceived notions you may have about their new album, entitled Mezzamorphis. Martin Smith, lead singer, says in the press release accompanying the album, "A lot of you have been asking, 'Well, is it like Cutting Edge, is it like King of Fools?' Well, I don't think it's like any of them really. It's a big step for us as a band. It still definitely carries the same spirit and heart after wanting to please God in all that we do."

    He goes on to explain that the first track, "The Mezzanine Floor," kind of captures the theme for the album. The song is about how "we're not where we were, but we're not where we want to be yet, either. Y'know, we're not on the second floor yet. And that's to have music that's heard by people inside and outside the church." He points out that the song is about heaven, too.

    Heaven is a predominant topic on this album; in fact, one of the most catchy and inspirational songs is entitled "Heaven." "Follow" is a song more in the vein of King of Fools, complete with a chorus (the words "I will follow" sung repeatedly) that I'm sure will be sung in youth groups across the country. The song, like most of the album, however, has a rather experimental sound to it. "Bliss" is a song described by Smith as "a statement song for us," a song that is all about not backing down, but boldly living as a Christian.

    The band returns to their somewhat more simplistic musical roots with "Beautiful Sun" and "Metamorphosis," two songs that showcase Martin's vocal range and the ability of Deliriou5? to create songs that are simple, yet extraordinarily beautiful. "See the Star" is another song that fits into the simple "power pop" category, and Deliriou5? delivers another great chorus sure to be a hit by this summer.

    Stu G describes "Gravity" as "a really up number on the album. It's a great, hooky tune; the melody and the sounds are fantastic. What the lyric is saying that heaven is calling us but gravity's pulling us...sometimes kinda you don't know which way to look, but obviously we know where we're looking and what way we're going." "Gravity" is another song with a diverse, experimental sound, and the chorus is sure to get crowds jumping at concerts.

    Martin says that the next song, "Love Falls Down" is going to be a great song live, as well. He describes it as reflecting "back to some of the Cutting Edge songs, some of the songs on King of Fools. It's talking about getting a whole generation fired up for God." "Blindfold" is a song inspired by the feelings experienced by one of the members and his wife, who had a miscarriage. This song is probably the slowest on the album, yet very powerful. Another slow, personal song for the band is "Kiss Your Feet," which is definitely an all-out praise song.

    Quite possibly the most satisfying moment on the record comes with "Jesus Blood," which features a choir, a DJ from New York, and some musical flavor bordering on ambient. This song is definitely one that deserves several intense, "listen closely to get to the deeper levels" listens. The album is ended with a remix of "Deeper," probably the biggest hit off King of Fools.

    Lyrically, this album continues Deliriou5?'s tradition of strong, heartfelt, passionate lyrics, mostly centered around God. Musically, this album shows several sides of Deliriou5?. At times, they stick to a simple, yet beautiful, guitar-driven sound. Other times, however, they have an intricate, complicated sound, which they pull off fairly well, too. The key to this album is balance; while some of the more musically ambitious songs toe the line between free-spirited creativity and annoying overproduction, the simple songs round out the album, making it neither boring nor overbearing.

    4/5

    Other coverage for this album

    HM Magazine #79Reviewed by John DiBiaseIn 1996, with the release of Eric Champion's album, Transformation, the advertisement taglines were always "Forget What You Know." Well, with 1999's new June release of deliriou5?'s Mezzamorphis, ironically, the same tagline could apply. So, basically... forget what you know. 1998 saw a tremendous stage entry for this British-based band. You couldn't be at Creation without seeing something with…ReAL Magazine 1999Reviewed by Timothy Paul YenterMezzamorphis is the best album Delirious? has made to date. It worships through lyrics that are insightful, prophetic, encouraging, and honest. They probe into themes essential to the Christian faith--communion, salvation, social responsibility, hope, and love--with a sincerity that gives substance to their work. The album is noticeably focused on the topic of heaven. From the opening songs 'The…The Phantom Tollbooth 1999Reviewed by Keith Giles"I'm on the mezzanine floor, never been here before...but I'll get to heaven," sings Martin Smith on the opening track of the long-anticipated Mezzamorphis, the band's third collection of all-new songs. While Martin readily admits that this is an album exploring musical territories which the band has never visited before, the problem is that most listeners have been here before. Delirious may…The Phantom Tollbooth 1999Reviewed by James StewartCrashing into the UK album charts at the much-lower-than-expected position of 25, Mezzamorphis should assure most listeners that delirious? are still very much faith-inspired in their songwriting. The theme of heaven dominates from the very start. Musically, the sound is much richer than on the disappointingly dry King of Fools, and the fuller soundscape moves away from the strong U2 feel,…The Phantom Tollbooth 1999Reviewed by Eric DaamsFor weeks I'd been reading rave reports of Delirious?'s latest offering. I expected a dramatic change from their previous work, something that would absolutely blow me away. It didn't. To tell you the truth, I was a bit disappointed but the change that I'd read all the reports about wasn't as radical as I expected. Take King of Fools, add a few distorted guitars and synths, and you get…

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    1999PlumbcandycoatedwaterdropsSeth SuttonWho I Am1997Sixpence None the RicherSixpence None the Richer1998dc TalkSupernatural1997All Star UnitedAll Star United1999P.O.D.The Fundamental Elements of Southtown