Sometimes lightning really does strike twice--even if it has to take different forms. The Way We Are is chock-full of lavish mid-tempo numbers, lush ballads and bombastic rockers. Regrettably, John Painter's impressive guitar work is more muted this time. Instead we get to hear him use a list of instruments longer than this review, raising the question is there nothing he can't play? Fleming's distinctive vocals take center stage, and seem less shrill this outing which may sway former naysayers who cared little for her pseudo-operatic stunts and high-pitched wailing. Not to play the role of Amy Grant's old critics, but the only real bummer is the lack of any particular Christian content. One of my favorite songs from Delusions of Grandeur was "A Place Called Love," not only for its delightfully exuberant execution, but for the hopeful heavenly message. No such sanctified and cheery content here, despite some overall clever lyrical offerings. Regardless, this slickly produced and peppy pop smart collection does grow better and better with every listen. Though a harder edge to some of these songs would be preferable, this lightning bolt may feel different, but it still has electrifying impact.
4.5 tocks
Other coverage for this album
HM Magazine #77Reviewed by Doug Van PeltI've been waiting for this record to come out for so long, I almost got sick. This band is so stinkin' great, it's just insane that they're not all over the radio, MTV, and people's t-shirts. If you haven't heard this creative new sound, just imagine the serious rock of Zeppelin with the flighty and cute female vocals of Olivia Newton-John on top. The cute little girl starts the album off with an…The Phantom Tollbooth 1999Reviewed by Josh SpencerFleming and John's debut four years ago on REX (re-released shortly after on Universal) was one heck of a unique alterna-pop/rock album, with Fleming's gorgeously freaky voice stunning many music-lovers into unabashed slobbering. Few bands could sustain the loving anticipation on the strength of one album that this one has. Understandably, it's been torture waiting so long for a follow-up, teased…The Phantom Tollbooth 1999Reviewed by Shari LloydAfter four years Fleming and John have released their second effort. My first listen was a little disappointing but Fleming's gorgeous voice along with lots of relationship songs with plenty of hooks keep drawing me in. Is there a song like Sixpence's "Kiss Me" to push them into the big time? Unfortunately, only time will tell. In the meanwhile, pick up this gem and decide for yourself. 4 tocksThe Phantom Tollbooth 1999Reviewed by James StewartFleming and John's debut release established them as one of the most interesting rock outfits with Christian connections. It's taken too long for this follow-up to hit the shelves, but it's a gem nevertheless. Intricate pop with influences from all over the western musical landscape and occasionally beyond, this album may take some time to grow on listeners but is well worth the concentration.…Similar sounding releases
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