Full on the Mouth
Collide
Reviewed by Brian Vincent McGovern
I don't know if electronic pop would be the term here, because even though there are plenty of programmed sounds accompanying the catchy melodies, the sounds of this band seem to transcend the word "pop." And I wouldn't call it industrial, as the dark sensibilities here lean away from the sinister. But it's not simply run-of-the-mill electronica, because the guitar sounds here are incredibly huge. Collide is one great electronic rock & roll record; perhaps a cleaner sounding Klank, minus the despondent metal edge. Formerly known as Lost Tribe, a pioneering grunge band (before grunge exploded), Full On The Mouth has found a comfortable home in this genre. Having a nice production budget helps, as sonic quality is high, from the "dirtied up" programming to the beefy guitars and vocals, making for a very enjoyable listen. It also doesn't hurt to have Blumpy (who has worked with Filter, Henry Rollins, etc.) produce the project either. Most of the drums are programmed, but the clean, tight drumming of guest musician Jon Knox (Whiteheart, Adam Again) also makes an appearance. Lyrically, it's nearly impossible to know where the band hangs out spiritually, as they could suggest an appreciation for anything from a girl to a memory to a Toyota.