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    ReAL Magazine 2001/Further Seems Forever
    Further Seems Forever — The Moon Is Down cover

    Further Seems Forever

    The Moon Is Down

    (2001)

    Reviewed by David O.

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    Label Tooth & Nail RecordsReAL Magazine2001
    alternative rockemopost-hardcore

    I don't like "emo." I've never really known what it is exactly, but I tend to associate the term with bands that blend complex yet bland guitar parts with uninteresting scratchy vocals and dynamics that constantly shift from quiet (sad) to loud (still sad, but louder). Emo pioneers Sunny Day Real Estate have always stood above other emo bands because of the pop sensibility that subtly underlies their records. Further Seems Forever should take note of this, as their record is full of forgettable, average, typically emo tunes.

    The Moon is Down is the Florida band's first release on Tooth and Nail Records and finds them trying a little too hard. Sure, the album rocks and is "emotionally charged," but unfortunately these alone do not make for good songs. Good songs are (obviously) interesting to listen to and flow naturally. Though the band is very talented, most of the songs on this record contain too many unnatural jerks--awkward transitions that distract the listener and pull him or her from the song.

    Songs like 'The Bradley,' 'Monachetti,' and 'Madison Prep,' just to name a few, are bogged down by these awkward transitions. Though these tangents allow the band to exercise its musical chops, the songs often become uninteresting and hard to follow. They also make writing melodic vocal lines difficult. Songs like 'Snowbirds and Townies' and 'Madison Prep' begin with solid melodies during the verses. Unfortunately, as the songs progress the melodies disappear and take a long time to return, as the band launches into one unnecessary tangent after another. As the music grows more complex the vocal lines become more uninteresting. Bands like Fugazi and Sunny Day Real Estate have mastered this, and while FSF at times sounds a little like both of them, they have yet to synthesize both innovative playing with catchy vocal lines and guitar hooks.

    There is hope for the band, as The Moon is Down does have its moments. The title track is very good and has a great chorus. 'Snowbirds and Townies' is also good, despite its ramblings. Chris Carrabba, the former singer of the group (he left the band after recording Moon) sings and yells well without ripping anybody off. It's a shame he doesn't have better vocal lines to highlight his instrument.

    The lyrics on this record seem to deal primarily with longing, which is always appropriate, as life is essentially longing. 'Snowbirds and Townies' seems to be about frustration over the loss of a relationship: "And longing after spring has sprung / And they fly north when winter's done / And we get burned in summer's sun." 'Pictures of Shorelines' also expresses desire and contains the appropriate lines, "And sometimes we don't say a thing for a long while / And the ships off shore hold stories that we'd make / And sometimes we are held at bay by these miles / But less of you is more than I can take." Though there are a few lyrics that are vague, and rhymes are occasionally forced, overall the lyrics are intriguing, and songs are consistent to one theme within themselves.

    FSF does have potential. Every member of the band is very good and capable of making fantastic music. It's just a matter of writing songs that will hook the listener instead of leaving him or her bored and/or confused. Listening to a little more Beatles and Led Zeppelin would do them some good. Catchier melodies and heavier grooves could pull this band from the mire of mediocrity they're now treading through. After all, the last thing this world needs is another sub-par emo band.

    Other coverage for this album

    HM Magazine #89Reviewed by Andy ArgyrakisImagine you're in a band and you just recorded an amazing label debut album with powerful guitar licks and emotionally driven vocals. You have a sense of achievement and accomplishment in the fact that you've just spent months of your life pouring your heart and soul into an action packed project. Now imagine being the lead singer of that group and then ending your time with the band before that…Decapolis 2001Reviewed by Brett MiottiIf you're like me you've been anxious for this release since practically day one of the announcement that four of the members from the legendary Strongarm were going to be making music together again. The album cover theme of airports and jet planes seems to be appropriate for this release, seeing as how Further Seems Forever fans have been waiting for this puppy to arrive for quite some time.…The Phantom Tollbooth 2001Reviewed by Ken MuellerWhen the members of hardcore band Strongarm decided to form a new band, they called on Dashboard Confessional's Chris Carrabba to provide the vocals and lyrics. And the result is far from hardcore: an emo based sound with shades of post-punk thrown in for good measure. While FSF is a little late in coming to the emo game, and their sound at times is a bit formulaic, they are at their best when…The Phantom Tollbooth 2001Reviewed by Bert GanglThe history of Further Seems Forever is inextricably tied to that of the Miami-based punk band Strongarm, from which the bulk of its members came. Fusing together the hardcore punk of Husker Du and the thrash metal of Sepultura for their sound, Strongarm released only two full albums for Tooth & Nail Records, 1996's Atonement and 1997's Advent of a Miracle, before packing it in. But, several…The Phantom Tollbooth 2001Reviewed by Matt RiddleOne album down, one lead singer gone. Further Seems Forever has already had a tumultuous year and their album has only been out a few months. Their lead singer, Chris Carrabba, parted on good terms. The band has meanwhile replaced him with interim singer Jason Gleason. This has the possibility to change the scope of the band entirely. Gleason may be very talented, but one of the first aspects of…Opus 2001Reviewed by Jason MoreheadIf there's one genre that seems to be singled out for an unfair amount of maligning, it's emo. For many, there's something about the image of skinny white guys in tight shirts and horn-rimmed glasses screaming awkward lyrics about pain and betrayal that, well, just sets something off. And for those people, The Moon Is Down is ripe for the picking. After all, it's incredibly earnest, with those…

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