It's been more than two years since Julie Miller last put out an album. Given her interim move to a mainstream record label, fans might wonder if she has "left the fold," deserting her faith in favor of money. Fear not-Miller is no sell-out. In fact, her latest release, Blue Pony, continues the same potent brand of raw, yet redemptive, country-tinged, folk-pop which she put forth during her Christian label days.
Content-wise, Miller's approach remains about the same as ever: equal parts the brokenness of humanity and the hopefulness of heaven. The title track gives a warm and endearing testimony of her relationship with her grandmother. Never one to shy away from the pain of sin and the human condition, "Take Me Back" and "Dancing Girl" describe the disintegration of a marriage and child prostitution in Thailand, respectively. "By Way Of Sorrow" and "I Call On You," in contrast, speak expectantly and confidently of the Savior.
Still, it is Miller's stark, child-like vocals that continue to draw me in and hypnotize me. The plaintive "Face Of Appalachia," the only track which she did not write herself, is a heart-rending, minor-chord folk song, while "The Devil Is An Angel" boasts a haunting bite. There are few singers out there-Christian, commercial, or alternative-who wield anything as evocative as the velvet-sharp voice Miller effortlessly unleashes.
Julie's husband, Buddy Miller, a considerable talent in his own right, is more involved with her efforts this time out than ever. He plays guitar, mandoguitar, bass, and melodica, in addition to providing backing and harmony vocals throughout. The two of them effectively share the production reins, as well.
Truly, Julie Miller can drag real-life perspective into the church or unwavering faith into the mainstream marketplace with equal alacrity. She's a rare talent and much needed voice in both settings. Let Blue Pony romp through your sonic yard and see if you don't agree.
Other coverage for this album
The Phantom Tollbooth 1997Reviewed by James StewartWhen she appeared on the CCM scene a few years back, Julie Miller was often compared with Leslie (Sam) Phillips. Now, like Ms. Phillips, Julie Miller has left the CCM marketplace behind to release this album on a mainstream label. The freedom which that change of label has given Julie is obvious, as the lyrics now speak so openly of pain, hurt, and doubt. Much has been said about Julie's…Similar sounding releases
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