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    The Phantom Tollbooth 1999/Larry Norman/Beam
    Larry Norman / Beam — Shouting In The Storm (Flevo 2) cover

    Larry Norman/Beam

    Shouting In The Storm (Flevo 2)

    (1998)

    Reviewed by James Stewart

    DiscogsYouTube
    Label Solid Rock RecordsThe Phantom Tollbooth1999
    ccmclassic rockfolk rock

    Recorded live at the Flevo Festival in Holland, this is a retrospective collection for Larry Norman. Norman's vocals are accompanied by the instrumental talents of Netherlanders Beam, and together they put together some melodic rock with a classic feel.

    Norman's vocals sound clear, if a little whiney, and the band are tight. The material has a timeless feel, as much straight ahead rock does in a live setting. There is nothing particularly remarkable in it, but tracks like "God Part 3" can still get the crowds going, and given the regular cycles of "retro" music, the distinctly '60s feel of "Six Sixty Six" feels more than appropriate.

    Norman's lyrics need little introduction, save to say he's still as uncompromising in that department as ever. We may not all agree with some of his doctrinal positions and sometimes the phrasing's not perfect, but his zeal is obvious as are the strengths of those lyrics which have remained Christian music classics over several decades.

    Unfortunately, Norman chose to end this album with his own take on DC Talk's "Jesus Freak," which ends up sounding rather messy - his vocals just aren't suited to this song. Norman completists will want this album regardless, and so may some people looking for an introduction to his work, but other than that there's nothing remarkable here.

    3 tocks

    Other coverage for this album

    HM Magazine #76Reviewed by Doug Van PeltIf you're like me, there's certain artists that you always buy their albums. For me, artists like U2, King's X, and Larry Norman fall into this category. While there have been a few live albums that Larry's released that turned out somewhat disappointing, this isn't one of them. This is a live album in which Larry Norman utilizes a tight band as his backup talent and performs a full concert.…

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