Linnae Reeves

Item: Linnae Reeves
Author: Vanessa Crooks

(1996)

Reviewed by Vanessa Crooks

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Label Star Song RecordsThe LighthouseDecember 1996

alternative rock folk pop

On her debut album, newcomer Linnae Reeves offers several unique twists on the standard Christian pop format. Her approach and perspective are refreshing and demonstrate her desire to stand-out in an often formulaic genre. Even a glance at the liner notes evidences Reeves unusual tack. This Seattle native has selected a non-traditional setting (in Christian music circles, that is) and an undeniably atypical team for her self-titled effort. Recording in California, with established secular producer David Kershenbaum and L.A. studio musicians gives Reeves' project a different mix, feel, and attitude from the Nashville norm.

As a whole, Reeves' sound is unquestionably pop and decidedly polished, but she also employs a fair amount of folk and an alternative sensibility. Her publicity material makes parallels to Sheryl Crow, Natalie Merchant, and Joan Osborne; however, I find those comparisons a bit of a stretch. Better analogies can be made to Out of the Grey (mostly musically-think Gravity) or Patsy Moore (stylistically and, at times, vocally), or even Tracy Chapman (no surprise, since Kershenbaum produces her as well). Reeves' vocal delivery is breathy and understated, giving her lyrics an innocent quality. Much of her music blends Hammond organs with acoustic guitars and various percussion instruments (including D'Cembe, shakers, tambourine, and assorted drums) providing a cohesive, retro-tinged ambiance. Showing an ability to front up-tempo tunes and ballads with equal dexterity, Reeves proves that her sometimes wispy voice has real substance. All told, she creates a project of originality and diversity that's a delight for the ears.

Reeves' writing style (she is at least co-author on all tracks) is straight-forward, yet personal. Her themes are accessible and encouraging, many drawing their primary inspiration from scripture. The album opener, "Haven," provides a tangible illustration of Matthew 11:28, reminding us to look to God for refuge in times of trouble. "Religion" gives personal and practical application to James 1:27, with Reeves sharing testimony to the abundant life she has found in Jesus. A quirky and affectionate vignette, "Military," tells about her grandmother who "always wanted to be in the military, marching with the G.I. Joes," but contentedly traded that dream for "love and a wedding day." These may be simple lyrics, but Reeves has steeped them in the Word, and thus they provide an endearing and enduring perspective on the journey of faith.

Overall, Linnae Reeves puts a winsome and home-spun touch on a predominantly slick pop album. Expertly arranged and carefully executed, her songs are catchy and captivating.