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    The Phantom Tollbooth 1999/Maire Brennan
    Maire Brennan — Whisper to the Wild Water cover

    Maire Brennan

    Whisper to the Wild Water

    (1999)

    Reviewed by James Stewart

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    Label Word RecordsThe Phantom Tollbooth1999
    celticfolknew age

    More than a quarter century has passed since Clannad first opened the book of modern celtic-influenced music, but still Maire Brennan is in its pages. This, her fourth solo release and her second to be distributed into the Christian market, is a well conceived development on Perfect Time.

    The music here still has the distinctive modern-Celtic sound which has been so popular over recent years. Brennan's vocals remain as ethereal as ever, drifting softly between English and Gaelic, but the drums are less artificial and the arrangements tighter than on this album's predecessor, leading to a more substantial offering.

    Instrumentally everything is kept fairly simple, but contributes to a greater whole. Brennan plays keyboards and her familiar Irish harp, while a supporting cast contributes fiddles, guitars, bass, and all manner of other elements.

    Five-year-old Paul Jarvis (Brennan's son) intones in Gaelic over the song "Peacemaker," a factor which could easily have caused the song to become "cute," but thankfully that is averted and this element simply adds to the poignancy.

    The lyrics are generally poetic and Christ-centered. The title track, "Whisper to the Wild Water," talks of the constancy of God's presence within a world that is constantly changing.

    I heard your voice
    Whisper to the wild water.
    Step by step
    Slowly enter

    Change the words
    Don't change the meaning
    Change the hands
    Don't change the healing

    Musically this is perhaps the most up-tempo number, with a fairly driving note to the vocals. It is not the most successful for it, seeming to lose direction a couple of times, but the delayed guitar blends well with the keyboards and vocals at the song's highpoints.

    The album closes with a simple rendition of the hymn "Be Thou My Vision," sung in Gaelic using the same translation as Iona used on their Journey Into the Morn release. Since Iona recorded it, that song has appeared, usually in its English form, on so many recordings that it's in danger of overexposure. But Brennan keeps it simple, while investing a subtle power with her restrained emotion over the course of the song's two minutes. It is a fitting ending.

    A definite improvement on its predecessor, this album should see Maire Brennan continue to develop her profile within Christian music circles, while still pleasing Clannad fans. It has its weak points, but the chapter this opens should be an interesting one in the ongoing story.

    4 tocks

    Similar sounding releases

    1996IonaJourney Into The Morn1998Eden's BridgeCeltic Worship2001Mary-KathrynOne Spirit2000Sheila WalshBlue Waters1994Barry and Batya SegalSh'ma Yisrael1995Adrian SnellCity of Peace

    More from Maire Brennan

    1998Perfect Time2001New Irish Hymns

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