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    HM Magazine #74/Mukala
    Mukala — Fiction cover

    Mukala

    Fiction

    (1998)

    Reviewed by Brian Vincent McGovern

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    Label Essential RecordsHM Magazine #74November 1998
    alternative rockfunk rockmodern rocksynth pop

    First off, one thing I'll say about this record, it's got some nice variety and some refreshing songwriting. "Skip to the End," while remaining a clever song concept, is an irritatingly whimsical jaunt, made even more annoying by the fact that some cool Plumb style drum loops were put in and expected to fit well. But not all the songs are like that, though they do just about all have simple variations on one particular laid-back drum beat. The drums, however, aren't just backing material, but are included as an actual instrument with equal importance. "Stranger Than Fiction" emerges, as sort of electronic spy music, with a few such tricks seemingly pulled straight from Nine Inch Nails. "High" is a very thoughtful piece, and includes a variety of instrumentation. In addition to the loopy drums, there are samples of space missions and a cello here and there. A lot of people I've met need to hear "Jesus Shirt," which urges the listener to realize that our relationship with Jesus should hold much more importance in our lives than any sort of clothing, jewelry, etc., and that no amount of "Jesus junk" can ever take the place of that real relationship. He doesn't need advertising. Mukala is pretty original and thoughtful, save for a few scattered exceptions, and makes a nice addition to the Essential roster.

    Other coverage for this album

    The Lighthouse Unsorted 1999Reviewed by Stacey Lee FeldmanThe definition of "modern" is always undergoing revision. Well, here's another way to call music modern - it's called Mukala (pronounced MUCK-a-la). Dan Mukala and company bring their debut, Fiction, into the ranks of the musically modern by toying with some of the concepts other groups have been playing with, like programming and sampling and backbeats, all acting as underpinnings to their…The Phantom Tollbooth 1998Reviewed by Christopher H. BunnMukala's debut album is a half-baked concoction of synthesizers, looped drums, and restrained vocals. One of Essential Records' newest acts, Mukala's songs do, however, have strong topics, such as the illogicality of divine love, the deliberate excesses of free speech gone wild, and the two-way violation that control produces. To run into purposeful lyrics is particularly refreshing in an era of…

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    Also in HM Magazine #74

    1998The ElectricsLivin' it Up When I Die1998Brazen FaithNever the Same1998Between ThievesWater1998Dying ManDark Night of the Soul1998PolarboyBack From Nowhere1998World Against WorldUntil the Day Breaks and the Shadows Flee Away