It's been a while since any noteworthy mood rock hit the Christian music scene. The demise of Flock 14, World Theatre, and The Swoon in the late '80s left a gap, and when The Choir moved on to other sounds, there was no one left to carry that tonal torch. But everything comes around again, even Tony Bennett, so I'm pleased to introduce you to Quiet City. This foursome takes a few cues from the musical ancestors mentioned above (except Bennett), adds some impressive guitar work, and blazes an uncommon trail through this debut album.
The basic sound balances a mid 80's Tears for Fears/Human League pop approach with late 80's metal guitar tricks on the upbeat songs. This is no glam album, though; in fact, you're just as likely to hear a mid-70's sounding lead synth straight from Kansas. Michael Reiser's vocals sometimes settle between the first and second Mad at the World albums but generally find expression all their own. Guitarist Sparquis obviously spent his childhood locked away with his instrument; it's almost disorienting for me to hear such hard-earned skill after five years of hearing energetic-but-inexperienced grunge rockers flail at power chords. The opening track sets the mood nicely with its overlaid vocals and sprinkling of piano and guitar riffs.
The lyrics here are generally a cut above the norm-mysterious without being too abstract, and Biblical without being too didactic. A definite "city" theme runs through the songs, using the urban image as a symbol of the sins of humanity and the hope and compassion of Christ for man. "Fly" and "Eyes of Glass" stand out in their evocative descriptions of people in need of Truth.
No serious mistakes mar this album, though the acoustic guitar seems a little overprocessed. The band tackles a nice variety of styles with general success; only the foray into technofunk on "Legacy" seems genuinely strained. Quiet City and its ethereal comrades like My Brother's Mother offer something different by showing us that turning the volume down can be just as effective as cranking it to eleven. This album is a substantial first effort, hopefully a sign of more good things to come.
Other coverage for this album
The Phantom Tollbooth 1996Reviewed by Linda T. StonehockerCities don't sleep. When night falls, the darkness may demand quiet, our bodies rest, yet the trains still rumble, and restless dissatisfaction drives us to hide in bright lights and pleasures from disturbing thoughts and memories. Apart from God, there is no peace for the inhabitants of this world, especially the city dwellers of Michael Reiser's project, Quiet City. The twelve lush, complex,…Heaven's Metal #54Reviewed by Brian Vincent McGovernDon't be fooled by the mellow-looking packaging and the dreamy, relaxing first track, "Killing Fields." I almost assumed that Quiet City was indeed quiet. Not so. The rest of the CD is rather eclectic, moving smoothly from the dreamy alternative to the hard rock. As varietous as this is, I noticed one thing present throughout the album. That is a deep, passionate vocal performance. The emotion…Similar sounding releases
2004Proto-KawBefore Became After
1997Dave BellPrince Of Peace
2002FuseboxLost in Worship
2000FringeFor the Vagabond Believer
1998Farewell to JulietGrace and Dire Circumstances
2005Glass HammerThe Inconsolable Secret
