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    The Lighthouse Unsorted 1999/Selfmindead
    Selfmindead — Selfmindead cover

    Selfmindead

    Selfmindead

    (1997)

    Reviewed by Jonathon Smith

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    Label Solid State RecordsThe LighthouseUnsorted 1999
    hardcorehardcore punkmetalcorepost-hardcore

    Be prepared for some pretty loud guitars, vocals, and drums when you listen to Selfmindead's self-titled debut on Solid State Records (a fairly new division of Tooth & Nail). This new band comes from Sweden, the country that gave us Blindside, Royal, and Extol.

    I have read a lot about a band having a "wall of sound," but Selfmindead truly does. Pounding bass and drums not only lie underneath the crunchy guitars, but they share center stage at times with the guitars, too. Clean production, loud guitars, and disjoint rhythms add a beauty to these songs not found on a lot of hardcore records. It's that attention to detail that sets Selfmindead apart. Their songs end when they're finished; they don't keep playing on and on just to keep the song going. Each song serves as a little minuet encompassing rage, honesty, beauty, and sheer volume that you can pop in and listen while you pack your bag for school or eat a couple cookies and milk.

    The band provides straightforward lyrics, too. Possibly in reference to some world events, in "Nothing Inside," they proclaim that "with power comes responsibility." In the song, "Lack," they tell their peers that:

    You don't need to drink alcohol To have a good time. You don't need to drink, You don't have to take any drugs, To be cool. You don't have to take anything; You can be a king. But you are nothing Without your self-respect.

    And "Clean" is probably an equivalent of a New Testament psalm:

    You're so clean, With no stains. Personified perfection, Free from human shortcomings; I wish I could be just like You. Wash me in Your blood so that I can become clean.

    Probably the only downfall on the record is that the majority of the vocals are distorted. It's nice for an effect once in a while, but I find that constant distortion gets old. Besides, the lead singer has a tremendous voice, and distorting it just doesn't do it justice. But, other than that one complaint, Selfmindead's debut is definitely a hardcore gem.

    Other coverage for this album

    HM Magazine #76Reviewed by Ben MengdenScandinavia is going to take over the world through their hardcore / emo. Another great release from Solid State and from Sweden. This release is a modern metal guitar album with singing hardcore and lots of cymbals. Lots of time changes, pauses, feedback, and speed. Fitting well in the Solid State family, Selfmindead is similar to the likes of Embodyment or Blindside. This is melody through…The Phantom Tollbooth 1998Reviewed by Josh SpencerTooth & Nail is just the record label of the decade. Not only did they almost single-handedly elevate edgy "Christian" music to the present, now they're importing previously hard-to-get albums by killer bands from Scandinavia like Blindside, Royal, Extol...and Selfmindead. Hopefully, they'll keep it up, and send their scouts out everywhere in search of great unknowns (in the US anyway). Not much…The Phantom Tollbooth 1997Reviewed by Josh SpencerI saw the guys on the cover of this, and thought, "Great, another generic, harsh, hardcore experience." Then I noticed they were from Sweden and thought "Hmmm," as the first strains of hardcore heaven rocked my stereo speakers. By the second song I was smiling uncontrollably and cranking it up even louder. Selfmindead grooves heavily and smoothly, making skilled use of flowing rap rhythms…

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