
One of the hottest bands in Christian rock today is Sixpence None the Richer. Formed eight years ago in Texas, Sixpence has a history of offering listeners introspective, meaningful lyrics over a backdrop of lush, sometimes dreamy and wandering, sometimes catchy, pop/alternative rock. Leigh Nash, whose beautiful voice provides those female vocals, sometimes sounds wondering and sensitive, other times sounds deliberate and sure.
Guitarist/songwriter Matt Slocum first dreamed up the band after he heard Leigh sing in their church in New Braunfels, Texas. They later started recording together and recorded a 1992 demo, which was heard by a record company executive at the Cornerstone festival. Soon they were making an album. Since then, band members have come and gone, but Matt and Leigh remain the core of the group.
According to Matt, the band name Sixpence None the Richer comes from a story from the C.S. Lewis book, Mere Christianity, in which a boy asks his father for sixpence in order to buy his father a gift. After the boy gives his father the gift, he realizes that this gift really adds nothing to his father's wealth, an example of how anything we as humans do does not make God any better off.
The newest album, 1998's self-titled Sixpence None the Richer, is a masterpiece. Produced by Christian rock legend Steve Taylor, the album offers the listener many lyrical topics, including spirituality, dealing with difficult times, love, friendship, and pain. Musically, the album is overall fairly mellow and peaceful sounding, without necessarily being quiet or subdued. The songs seem to link together, while at the same time being very different from each other. "We Have Forgotten," "Anything," and "The Waiting Room" are all songs that deal with frustration from the difficult record label problems Sixpence went through prior to signing with Squint Entertainment. "Kiss Me," one of my favorite songs on the album, celebrates romantic love, while "Puedo Escribir" (based on Pablo Neruda's poem "Tonight I Can Write...") laments lost love.
"Love" and "Sister, Mother" describe God's love for us as Christians and our responsibility to share it with others. "I Can't Catch You" and "The Lines of My Earth," probably my other two favorite songs on the album, are both contemplative songs of a person searching his or her soul.
Overall, this is one of my favorite new albums. I personally have had the opportunity to speak with Leigh Nash and she is a very kind, considerate, friendly person, and these characteristics shine through in her lead vocals. Matt Slocum's songwriting and guitar playing, along with his scattered orchestral arrangements, make this album among the best Christian albums made in the past several years.
5/5
Other coverage for this album
The Rebel Base 2001Reviewed by NathanAlong with Jars of Clay, Creed, and U2, Sixpence None The Richer stands in an elite class of Christian oriented artists that are popular in the secular world. Having escaped the niche market, they are better recognized than the average Christian artist can ever dream of being. That's why it's fortunate that they're so exceptionally good at what they do. What they do is make light and easy going…
The Lighthouse Unsorted 1998Reviewed by Alex KlagesAfter taking a couple years off, to finish school and to try to re-earn their artistic freedom, Sixpence has come back with an album which is, like their other albums, both lyrically honest and musically pleasing. Yet, within the first ten seconds of the first track, I was instantly aware that this wasn't the same as Sixpence's other albums. The album begins with an over 15-minute trio of songs…
Puddlegum 1998Reviewed by Kevin Flick / Mindy DannerSixpence's self titled debut album is like a masterpiece sculpted from a single stone. Matt Slocum intricately communicates the emotions of the lyrics through the music composition. The music flows elegantly to portray the mood of each poetic ballad. Trials have drifted away to reveal what I feel is the most complete album that has ever graced the Christian market. Sixpence wanted to be released…
The Phantom Tollbooth 1997Reviewed by Lisa Reid / Matt LaswellThe new Sixpence release sounds nothing like the last one. Why does it seem like we've heard that before? Just as the jangly modern rock of 1995's This Beautiful Mess marked a departure from the alternafolk of the band's debut The Fatherless and the Widow, so the much-anticipated Sixpence None the Richer is a step in yet another direction. Once again, the band has managed to transform its sound…
The Phantom Tollbooth 1997Reviewed by James StewartWhen I heard that Steve Taylor was starting a record label, I was excited. I expected great things. Then when I heard the first band to release an album on said label would be Sixpence None the Richer, I could hardly wait for November to come. Well, it's come and I've heard the album. Sixpence's sound has changed quite a bit. After the wonderful rock album that was This Beautiful Mess, many…
The Phantom Tollbooth 1997Reviewed by Linda T. StonehockerAh, money & stability. What a difference the basics make, and money & stability are right up there on the list with food, shelter & clothing in order for a musician to be productive, creative, and heard by an audience. Steve Taylor's rescue of Sixpence None the Richer for his new label has provided these important elements which they take full advantage of on this, their third release. The pain…
The Phantom Tollbooth 1997Reviewed by Josh SpencerI've owned all of Sixpence None The Richer's albums for a while now, but I've never really been one to rave about their brilliance as so many fans do. Sure, they make some very well-crafted music, and Leigh's got a really beautiful voice, but for some reason I rarely reach for their albums. Ever since I got this newest one, though, I've wanted to play it every time I see it. Strange. I suspect it…
The Phantom Tollbooth 1997Reviewed by Steven S. BaldwinSixpence None the Richer has conceived a self-titled album as lush and beautiful as you can make without sacrificing the requisite modern rock energy. The songs are dramatic, conjuring comparisons to a more aggressive Innocence Mission in tone and inspiration as well as a stirring rock opera in realization. Leigh's wispy voice, Dale's deft drumming, (mostly) J.J.'s melodic bass, and Matt's ample…Similar sounding releases
2004Sunfall FestivalBang Bang Bang
1999The Straw TheoryThe Straw Theory
1997Carolyn ArendsFeel Free
1998WilshireWilshire
2000Aaron SprinkleThe Kindest Days
1999Charlie PeacockKingdom ComeMore from Sixpence None the Richer
1993The Fatherless and the Widow
2002Divine Discontent
1995This Beautiful Mess
1999Kiss Me (Single)
1995Tickets for a Prayer Wheel




