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    The Phantom Tollbooth 1999/Subterra
    Subterra — The Speed of Pain cover

    Subterra

    The Speed of Pain

    (1999)

    Reviewed by James Stewart

    Discogs
    Label American Horse RecordsThe Phantom Tollbooth1999
    alternative countryfolk rockroots rock

    This project must have kept Howie Doyle busy. Contributing all the vocals, most of the instrumentation, and even the sleeve layout, Doyle is joined here by another multi-instrumentalist (Mark Mundy) and a few guests for Subterra's debut full-length album.

    Musically, Doyle's writing is very reminiscent of Neil Young, including the raw and rootsy production, the instrumentation, and the general atmosphere. He also cites Bob Dylan as an influence, one which isn't as strong as Young's but can be detected at times in the vocal delivery and general approach. Despite the very obvious influences, Doyle projects his own emotion into his work and doesn't merely copy those artists.

    The lyrics often exude cynicism about culture, religion, and science. Some Christians will feel uncomfortable with the use of a couple of words, but there's a clear moral overtone and a definite faith lurking behind the lyrics. Similarities could be drawn here with Sixteen Horsepower, due to dark imagery being a common theme through the album--especially lament over the many dangers inherent in the psychology of the late '90s.

    The bloodswept sky is pouring rain
    Into the eye of the hurricane
    Shadowman shakes his head again
    We win, we all win. In denial

    Generally expressive and fairly well developed, the phrasing could use some tightening. They could also do with a slightly stronger level of support from the music, which sometimes takes the stripped back production a little too far. When it all works together, however, this is an interesting project which fans of dark imagery and a slightly country-roots approach would do well to investigate.

    Two standouts are a cover of Willie Nelson's "I Never Cared For," recorded here with a vibe that supports an instant hook, and the acoustic "The People Believe" which showcases some fine guitar work. These two tracks are examples of a very promising recording. Subterra are already beginning to extend their distribution as more people hear about them; fuller production and more development either of atmosphere or of hooks should set them up for a bright future.

    3.5 tocks

    Also in The Phantom Tollbooth 1999

    1998Viva VoceHooray for Now1999Sammy HornerCeltic Praise Volume 4: See and Touch and Hear1999Any Given DayAny Given Day1999MortificationHammer of God1997ApologetiXTicked1999Various ArtistsHappy Christmas Vol. 2