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    The Phantom Tollbooth 2001/Sufjan Stevens
    Sufjan Stevens — Enjoy Your Rabbit cover

    Sufjan Stevens

    Enjoy Your Rabbit

    (2001)

    Reviewed by Ken Mueller

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    Label Asthmatic Kitty RecordsThe Phantom Tollbooth2001
    electronicelectronicaexperimental

    Sufjan Stevens has two of the first releases on Asthmatic Kitty records, but they are worlds apart. A Sun Came offers up an eclectic mix of lo-fi pop music, but Enjoy Your Rabbit is an experimental blend of electronica and orchestrated dissonance. But unlike most electronica, there really isn't anything here with enough back-beat to dance to. Much of the music is generated by computers and loops, creating a CD that sounds more like a video game soundtrack. Most of the songs fit within the animals of the Chinese Zodiac, and unfortunately, both the album, and some of the individual songs, run too long. And it doesn't seem like something that most people would want to listen to more than once or twice. There are a few occasions where the songs are more melodic and might even be a little reminiscent of the instrumental work on some of the earliest Genesis albums or solo work of Anthony Phillips. Best cuts include "Year of the Ox," "Year of the Rooster," "Year of the Dragon," and "Year of the Dog."

    2 tocks

    Other coverage for this album

    Opus 2001Reviewed by Jason MoreheadDid you know that samplers could giggle? That modems could coo like an infant? Well, neither did I, but the more I listened to Enjoy Your Rabbit, those were the visions I had. It took awhile, but after a few listens, I began to detect the order buried beneath the chaos, the countless layers of synthesizer and sampler-induced mayhem. Soon, it was apparent that these were actual songs, with real…The Phantom Tollbooth 2001Reviewed by Jason MoreheadDid you know that samplers could giggle? That modems could coo like an infant? Well, neither did I, but the more I listened to Enjoy Your Rabbit, those were the kind of visions I had. It took awhile, but after a few listens, I began to detect the order buried beneath the chaos, the countless layers of synthesizer and sampler-induced mayhem. Soon, it was apparent that these were actual songs, with…

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