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    The Phantom Tollbooth 2005/Velour 100
    Velour 100 — Fall Sounds cover

    Velour 100

    Fall Sounds

    (1996)

    Reviewed by Jonathan Avants

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    Label Tooth & Nail RecordsThe Phantom Tollbooth2005
    ambientdream popfolkshoegaze

    Striking a balance between experimental ambience and gentle folk melodies, Fall Sounds is both a peaceful and intriguing record. Capturing the Autumn season into music, Velour 100's 1996 debut on Tooth and Nail is full of wispy, encircling guitars, lightly ringing cymbals, very subtle keys, and sparkling piano pieces, all warmly wrapped around Amon Krist's delicate female voice.

    The songs link beautiful imagery with vulnerable reflections of emotion and thought. It's like daydreaming put into song. The record evokes these sort of images. Looking out of an open window, watching leaves drift slowly to the ground as the trees sway gently in a cool breeze, the smell of a recent, fresh rainfall lingering in the air, all your
    thoughts are turned inward and following your heart wherever it wanders. These songs have come straight from the soul of the songwriter-- very personal, poetic, and intelligent. Songs about the pain of lost time, the struggle with and the emptiness of lust, and holding on to hope even as others around us let go and drift away...the themes are melancholy, but never strictly depressing. They evoke reminiscence and self-speculation.

    Most of the songs are traced with just enough melody to make them memorable, but they are not the kind of songs you could easily sing along to- the record is closer stylistically to shoegazer/noise rock than it is to melodic pop. This is music meant purely for quiet listening. The airy atmosphere carries you away like a leaf in the wind, and where it takes you is unexpected and fulfilling, from the rockier, upbeat "Autumn Shelter" and "Flourish," the quiet sentiments of "Calendar" and "Evergreen," and the beautiful, rapid piano play of "Breeze."

    Unlike many other female-lead bands, Krist's vocals do not take center stage. Her echoing, soft spoken words add an ethereal feel that helps underscore the record's ambience, but she does not overpower the other aspects of the record. This was a band's effort, in other words- they could not have achieved the level of depth musically that they have otherwise.

    A great record from beginning to end; a classic if ever there was one.

    5 tocks

    Other coverage for this album

    Opus 2000Reviewed by Jason MoreheadSome of you may recognize the name Trey Many, the songwriter and main musician of Velour 100. He's the drummer for His Name Is Alive, a group that's known for its bizarre experimental pop music. Hints of His Name Is Alive can be seen throughout this album; it's even recorded by Warren Defever. However, Velour 100 takes a different path than HNIA. It's hard to specifically name it, other than call…

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