The main musical force behind Aleixa, Kevin 131 (don't ask about the numbers), once remarked that his band bore the sound of "Debbie Gibson in a blender." A few years later, Debbie Gibson's star has been eclipsed by even younger, peppier new teen singers. Perhaps these days Kevin 131 is referring to Aleixa as "Britney Spears in a blender." Regardless, this tongue-in-cheek description is, of course, not entirely accurate. Aleixa is an electronic dance music band with industrial shades souped up by gobs of effectively layered, aggressive rhythm guitar. The vocals are handled principally by Laurel Snapper, who has a powerful delivery suited for the energy of these tracks. Although Aleixa has balanced the indubitably feminine feeling of Snapper's vocals with Kevin 131's more aggressive, alpha-male music chops, there is nothing too sweet or overly saccharine enough about Aleixa's alternative mix to really qualify for Spears comparisons. But in a better world, it would be Aleixa's smart bits of computerized, edgy pop that would be winning audiences on the radio and heavy MTV rotation.
Disfigured is Aleixa's second album, and a step up from their debut Honeylake. Sacrificing a bit of the experimental edge and wild diversity of its predecessor, Aleixa has employed a more consistent club mix throughout on their latest. Hearts and feet made for dancing will find a happy path with this project, and the production quality of this mix is dense but impressive. Highlights include the horn-infused "Black + Blue," the relentless energy of "Await," and the reverent remake of Duran Duran's classic "The Reflex."
When Honeylake was first released, the band was overly criticized for their use of dark themes and imagery in their lyrics. Frankly, I never understood the controversy in the first place, but new listeners may or may not find similar grounds for contention in the dark matter of Disfigured depending on how much attention they spend on the lyrical details. Laurel Snapper as the principal lyricist is no Bob Dylan, and yet her simple messages of faith and hope are appropriate for these dance tracks and our times. Her lyrics are largely about the estranging effects of sin and our need for complete identification with our savior. The fact that that message is occasionally wedded to dark images only reinforces the gravity of Christ's suffering and resurrection power. Snapper's word choice may also be effectively sparse, but those looking for stronger theological statements are better off with a good book than these booty-shaking beats.
After awhile, the lack of variety in these tracks takes a toll. The relentless energetic assault will not only leave you hot and sweaty from the throes of dancing, but you'll also be exhausted long before the album closes with a remix of "Await." But for the sure-footed marathon dance members out there, Disfigured provides plenty of ways for you to hurt yourself on the dance floor while reflecting on a healed heart.
3.5 tocks
Other coverage for this album
Decapolis 2000Reviewed by ConradDark industrial with two strong female vocalists. What you have in Aleixa is a lot of programming, huge metal guitars, and super strong female vocalists - all of which are way above average. This kills their previous release. The programming is really complex and deep. There are even horns on this album, real horns, not synthesized ones - whoa. The guitars add that hard edge to the music…Decapolis 2000Reviewed by Tom BastianThis CD opens up with what I would consider pretty much your standard techno dance song. Repeated vocals, moving beats, and complex rhythms. The first track and at various times throughout the entire CD they really take advantage of the whole stereo speaker concept, sending sounds back and forth between your speakers. I guess thats one cool thing that many techno based bands try to do. I have to…HM Magazine #79Reviewed by Doug Van PeltEver since the Stryper tribute album on Flying Tart, this band has slowly but methodically been building underground credibility. The quality vocals of Laurel Snapper meld beautifully with the looping drums and crunchy guitars. A song like "Purge," with its dance loops and techno beat would ordinarily be dismissed as dance or house music were it not for the savagely industro-metal guitars all…Similar sounding releases
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