In case you've found yourself with nothing but filthy rags since Bleach's first release, I've got news for you. Bleach's new album, Static, is in perfect time for you to do another load.
If you liked Bleach's first album, you'll love their latest release, Static. Gone are much of the fuzzy distorted guitars hiding out in the background. Taking their place is a lot more crunch in the foreground and an even brighter, upbeat attitude.
The music itself is much more dynamic with legitimate guitar solos standing out over the driving sounds of the rhythm section, something that was not prevalent on their previous release. Songs actually find themselves coming to a complete stop and then driving forward again, as if entering the spin cycle. Another innovation for Bleach is the use of different guitar effects within the same song. The second track, "Super Good Feeling," is a fine example of this, utilizing a funky '50s reverb guitar in the verses and then kicking into the high energy electric grunge that is a Bleach staple for the chorus.
Vocalist Dave Baysinger has matured as well. Falling somewhere between The Beach Boys' Mike Love and REM's Michael Stipe, Baysinger's humble voice manages to lurk somewhere between the layers of music in most cases. However, Baysinger proves his mettle in such songs as "Rundown Town," in which he ably carries the entire song in front of an uncharacteristically mellow Bleach. All the rules have been thrown out with this latest release. "Warp Factor Five" sounds like a strange hybrid between Audio Adrenaline and Newsboys. Probably the most underappreciated aspect of their previous release, Space, the lyrics are much more prominent on Static, thankfully allowing each and every turn of phrase to be heard and pondered much more easily.
All in all, the band's dynamics have improved tenfold, most noticeably manifesting itself as a more pronounced presence of background vocals as well as a more extensive exploration of their respective instruments. This is possibly a result of the heavy touring that Bleach has endured in the past year. Whatever the reason, the result is very impressive.
As with their first album, Static was produced by Audio Adrenaline alum Barry Blair, who obviously knows not only what the Bleach band members want, but also what the listener wants as well. What emerges is a brighter, cleaner, more sparkling brand of Bleach that is guaranteed to give you a very severe case of Static cling. Trust me - you won't want to put it down.
Other coverage for this album
7ball #21Reviewed by Dan MacIntoshSchizophrenia can greatly impair one's ability to live a normal life, but such abnormal ways of thinking, feeling, and behaving can make for adventurous and entertaining rock 'n' roll. Bleach's new album, Static, jerks back and forth with the spastic joy of someone with little self-control. This movement may be harmful to the spinal cord, but it sure is fun to watch. Characterized by riffing…HM Magazine #72Reviewed by Brian Vincent McGovernOne of the label's true modern rock bands, Bleach, has increased songwriting continuity this time around, but also created is a greater opportunity to use more varied vocal styles. All the while, the band's penchant for catchy melody is maintained. The title track uses a danceable groove to convey the desire to adhere to God just as static cling sticks one's clothing together. The record could be…The Phantom Tollbooth 1998Reviewed by Joe RockstrohThis Bleach needs to get dirty. A combination of funky fuzzed guitars, the odd 70's-ish disco vibe, some electronic noises and sounds a la Smashing Pumpkins and Garbage, and a slightly nasal vocalist. Bleach has all the base components to sell records. Unfortunately, they never really capitalize on their potential. The lyrics are, well, typical sub-standard fare--take for instance the first…Similar sounding releases
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