The Lost Archives Surfacing the reviews of our forgotten youth
    Back to The Lost Archives
    Syndicate Aug 1994/Bride
    Bride — Scarecrow Messiah cover

    Bride

    Scarecrow Messiah

    (1994)

    Reviewed by David Jenison

    DiscogsApple MusicTIDALAmazon MusicSpotifyYouTube Music
    Label Star Song RecordsSyndicateAug 1994
    blues rockhard rockheavy metalmetal

    Nothing turns the old journalistic stomach like a Christian band talking all this bull about going "secular" or becoming some major superstar if they'd only compromise their lyrics. What's ironic about all their yapping is the fact that their lyrics are so vague they might as well be secular.

    Even more ironically, Bride is not shoveling this bull, yet they are one of the only Christian bands for which the "secular talk" is true. Take every aspect of Bride—the powerful vocals, brilliant songwriting, catchy guitar hooks, Dale Thompson's hypnotic stage presence—and you have the makings for a superstar group, if only they'd ease from preaching. It's doubtful that will ever happen, and so Bride falls in with groups like the 77s and LSU, for whom Christian music has never been worthy.

    Resting on the assertions made above, it was obvious Scarecrow Messiah would be phenomenal. Everything that was good about their previous albums is even better here. The guitars are a bit harder, yet catchier than ever. Many of the riffs have so much strength behind their hooks they'll force their way into anyone's head—the positive reciprocal of a cheesy elevator song. Bride's excellent breaks and clever time changes, first recognized in Kinetic Faith's "Hired Gun," are likewise present and well-done, as always. And the vocals ... well, there was once an untrue rumor that Dale Thompson spent many years doing opera, and the rumor was believed by many—his vocals are that dynamic.

    With so much being great about Scarecrow Messiah, it's regretful to say there is one non-positive aspect to the new album. In some ways, Bride has reverted back to using a bit of the metal influences last heard in Silence Is Madness. These influences do not necessarily make the album better or worse, merely less contemporary. Regardless, the album is the best display of Bride's talent that we've ever seen. While their spiritual lyrics will keep the Epics and Atlantics of this world at arms reach, Scarecrow Messiah will obviously—and deservedly—become another huge hit in Christian music.

    4.5/5

    Other coverage for this album

    The Lighthouse September 1994Reviewed by David WangI must admit feeling a little worried when I learned that the new Bride album was being produced by John and Dino Elefante. Although they are wonderful producers, how would their trademark slick metal sound mesh with the heavier, dirtier metal sound of Bride? Well, I am pleased to say that the results are a success. The Elefante brothers have allowed Bride to retain their rougher style and, in…Heaven's Metal #48Reviewed by Doug Van PeltBride no longer needs any introduction, and Scarecrow Messiah is one of those albums that gets better with each listen. Like its previous two releases, Bride unleashes a groove that barrels down the road with the power of a Harley at full throttle. "Beast" kicks off this album in like fashion - taking advantage of a drum production that's wider than Snakes... had. Troy's guitar tones are so hot…

    Similar sounding releases

    1994The BraveTrust1993GuardianMiracle Mile1992RansomSoul Asylum1993BloodgoodTo Germany With Love1997King's XBest of King's X1992Holy SoldierLast Train

    More from Bride

    1998Oddities (Video)1988Live to Die1989Silence Is Madness2001Fist Full of Bees1998Oddities1997The Jesus Experience

    Also in Syndicate Aug 1994

    1994Paul AldrichThe History Of God And Man1994RhythmsaintsDeep Sustained Booming Sounds1994Vigilantes of LoveWelcome To Struggleville1994NewsboysGoing Public1994Glenn KaiserSpontaneous Combustion1994Johnny CashAmerican Recordings