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    The Phantom Tollbooth 2003/David Gonzalez and the Poetic License Band
    David Gonzalez and the Poetic License Band — City of Dreams cover

    David Gonzalez and the Poetic License Band

    City of Dreams

    (2002)

    Reviewed by Brian A. Smith

    Apple MusicTIDALAmazon MusicSpotifyYouTube Music
    Label Laughing Horse RecordsThe Phantom Tollbooth2003
    jazzspoken word

    City of Dreams is easily the most unique CD I've listened to this year. It is a mixture of spoken word poetry, Latino, jazz, and coffeehouse style music. At different times, it demonstrates the influences of Allen Ginsberg, Jack Kerouac, Gil Scott-Heron, Neruda, and Mike Myers in So I Married an Axe Murderer.

    The "City" in the title refers to New York City, and City of Dreams is a celebration of NYC, a backdrop of nationalities, races, politics, and the cornucopia of cultures that make up that city. "El Barrio" is a spoken word piece against a Latin background, and comes off as a Tito Puente/Santana meeting.

    "Cross Bronx Expressway" is a political critique, discussing the (inferred) crimes of New York's past mayors. "Yankeelandia" rearranges the jazz standard "Take the A Train", while reveling in the rich history of the baseball team.

    "Gathering Waters" features a gospel vocal in the background. "Cry Out Phoenix", demonstrating New York's ability to regroup after disaster (inspired by 9/11?), is a departure, sounding like a lost Vince Guaraldi outtake.

    The liner notes of this CD describe it as "musico, poeta, y loco - de todo un poco." Translated, this is "music, poetry, and crazy - a little of everything". City of Dreams is a rare CD in that it lives up to its own billing, at least in this regard. I can't say it will be in regular rotation in my CD player, but it is an interesting enough project that I would pull it out from time to time. A throwback to the days of jazz clubs, beat poetry, and a little bit of Xavier Cugat.

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