Drum 'n' bass has exploded on the dance music scene. It grew out of the hardcore house/rave scene of the early nineties. It's a sub genre of jungle music which rather than using the straight 4-4 beat of house and techno music (boom-boom-boom-boom), relies on breakbeats - the sort of funky drum breaks played on old soul records sped up to between 160 and 180 beats per minute. Drum 'n' Bass is a style of jungle where the beats don't tend to be as complex as usual (jungle usually features sampled breakbeat loops which are cut up and replayed) -- the bassline is usually the most prominent element of the sound.
Faith Massive is Jamie Wright (also known as DJ Seven) and Joey Davis. In Drum & Bass for the Masses the drum and bass keep the music at the high energy of dance while combining with some nice atmospherics of flowing, synthesized instrumental which give the music an ethereal feel. The combination works very well. The production is excellent. This is the first entire drum 'n' bass album released to the US Christian market. Pick it up today.
3.5 tocks
Other coverage for this album
Opus 2005Reviewed by Jason MoreheadI live in a college town and, during the school year, Friday nights beckon like the light at the end of the tunnel (if you're a college student, you know what I mean). Like the sandhill cranes returning to their roosts, or the lemmings' annual journey over the cliffs, college students descend on the main strip, standing in long lines to get into the local alcohol-dispensing establishments. Now,…7ball #20Reviewed by Derek WalkerFaith Massive creates music that taps into the consciousness of the dance music scene. Sonically, comparisons can be drawn to such seminal drum & bass artists as Goldie and Roni Size, but Drum & Bass For the Masses, this duo's N-Soul debut, is adventurous in it's own right, reinforcing N-Soul's more-than-competent skill for finding talented dance/techno artists and giving them the recognition…The Lighthouse Unsorted 1998Reviewed by Kenn JohnsonTaking its place among other N-Soul productions, the self-titled instrumental debut from the duo known as Faith Massive has a decidedly different feel from other ambient club releases. Despite its ubiquitous grooves, layered rhythms, and chest-thumping bass, it still manages to stand apart, in that it has a somewhat urban feel to it. The album segues easily from sound-of-the-street hip-hop to…The Phantom Tollbooth 1998Reviewed by James StewartOne half of Faith Massive may be better known to those readers who frequent the web as the US-half of the Tastyfresh website--Jamie Wright. Jamie, along with Joey Davis, presents the second drum 'n' bass release on a Christian label (the first being Trip's Cultural Shift), and to these ears, the Christian dance scene is setting off on a good foot as it explores this subgenre. This release has a…The Phantom Tollbooth 1998Reviewed by Titi Ala'ilimaFaith Massive is a new drum'n'bass outfit on N-Soul records. Various sources compare them to mainstream groups such as Roni Size and LTJ Bukem. Not being very familiar with the genre myself, I can only describe it as hyped up percussion laid over mellow synth tracks, with a few ethereal vocals thrown in for good measure. The only close comparison I can come up with is World Wide Message Tribe's…Similar sounding releases
1999Trip (UK)Cultural Shift
1998FlipsideFlipside
1996Everything but the GirlWalking Wounded
1998Junior Varsity KMTaking Care of You (Bliss Out, Volume 10)
1998Secret Archives of the VaticanReformation
2000DieselboySystem Upgrade
