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    The Phantom Tollbooth 1998/Sinead Lohan
    Sinead Lohan — No Mermaid cover

    Sinead Lohan

    No Mermaid

    (1998)

    Reviewed by James Stewart

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    Label Grapevine RecordsThe Phantom Tollbooth1998
    acousticfolksinger-songwriter

    Backing her pensive voice with sensitive textures which build in varying levels of folk-sensibilities with contemporary sounding drum loops, Sinead Lohan's second album sounds as though it were written for late evening listening, with a glass of something and a need to relax.

    Lyrically the album is relationship based, but in a reflective style and occasionally hinting at deeper themes. Lohan has obviously invested care in crafting the lyrics and while they are not all up to the high standard she seems to show the potential for, they go beyond the traditional pop cliches. "Loose Ends," an earthy track with Lohan's voice resting above a pressing groove, looks at the ending of a relationship as the two participants grow apart:

    Tie up loose ends,
    darling baby's heart is broken.
    As the road bends
    look at all you are becoming.
    Stretch your calling
    way beyond where distance finds you.
    What is calling
    now must take you to the harbour.

    The album does not touch on openly spiritual matters, although there is a feeling of some sort of spirituality hidden slightly below the surface. But spiritual matters are not what this album is about so much as emotional ones.

    Possibly the most commercial track is the third, "Whatever It Takes." Slightly more 'up' than most of the others, a different mix would make it a sure radio hit (and this one still could do well). Instead the production is somewhat looser, allowing the various facets of the song to develop in a more spacious environment. The fact that it isn't mixed this way shows that this is an artist more concerned with putting together a well-crafted album than achieving the transient success of a hit single.

    Most of the time the languorous feel of No Mermaid is what gives it its appeal, but occasionally it goes a little too far--some slightly tighter arrangements might have served it better in places, and perhaps a little more variation in the strength of the various threads which build up the musical tapestry would have been good--nevertheless this is a promising album from a singer/songwriter with a lot of potential.

    3.5 tocks

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    Also in The Phantom Tollbooth 1998

    1998Rebecca St. JamesPray1998Outer CircleOuter Circle1998Various ArtistsApocalypse: The Soundtrack1998Eden's BridgeCeltic Christmas1998U2The Best of 1980-19901998SkyparkAm I Pretty?