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    Art for the Ears 2000/Galactic Cowboys
    Galactic Cowboys — Let It Go cover

    Galactic Cowboys

    Let It Go

    (2000)

    Reviewed by Marco Povervest

    DiscogsApple MusicTIDALSpotify
    Label Metal Blade RecordsArt for the Ears2000
    alternative metalhard rockpower popprogressive metal

    What we've got here is the swansong of a phenomenal band from Houston, USA. The title is Let It Go. An appropriate title for such an album and the cover shows a black-and-white photo of a sad looking boy holding three full color balloons in his right hand. The back of the CD shows the boy painted in full screaming colors. He just released the balloons and he's going nuts with the tongue out of his mouth (what a tongue! That would even make Gene Simmons jealous!). Perhaps this is the way the Cowboys feel about their decision to disband: Sad before doing so and feeling the release and go crazy about it after it, as if it's a relief. On Let It Go you can hear Jerry Gaskill (of King's X) as a guest-drummer on ten of the songs. The other drum-parts were taken care of by Wally Farkas, Ben Huggins and another guest: Nano Jones. Just like previous albums this album contains quality metallic rock-songs with thoughtful lyrics and harmonic vocals. That's not surprising me anymore. What is surprising is the variety this time, including a fully acoustic song (Ordinary) and an aggressive hard hitter entitled Internalize. Overall I think this album is smoother than the others. It's not as raw edged as the older stuff. The disbanding is sung about in songs like The Record Ends and Swimming In December: "Eleven years of wonder; I never figured out; The one who knows the score; But I'm not playing anymore." A great band passed away. Hats and baseball caps off!

    Other coverage for this album

    The Phantom Tollbooth 2000Reviewed by Steven S. BaldwinThank God for hard rockers with heart and a sense of humor. Let It Go, Galactic Cowboys' 6th full-length album to date, continues their practice of showing both heart and humor in abundance. The opening track, for example, is a curious loop of spoken word introductory bits and hip hop that is truly funnier to hear for yourself than to try to write about. This track ends abruptly as "T.I.M."…

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