
Worship music fans take note: though Matt Redman may not have name recognition here in America yet, he is an established artist and songwriter on the international scene. So, while The Friendship And The Fear is Redman's debut project stateside, he already has a substantial catalog in his native England. In fact, he is considered to be one of the most influential and respected worship leaders in the UK. Part of the staff for Britain's popular, charismatic evangelical conference, "Soul Survivor" (originally called "New Wine"), Redman has penned many songs which have become part of the liturgy in European churches. Understandably then, there is a maturity and depth to The Friendship And The Fear's delivery and material.
Stylistically, it seems that Redman has targeted a youthful audience with his mainly acoustic guitar-based sonic approach. Much more edgy and layered than the music of his compatriot, Graham Kendrick, Redman's sound is more akin to that of Deliriou5? (also huge in Britain) or the Australia Worship record. Built around a distorted guitar foundation, it wouldn't be a stretch to imagine a young U2 delivering the cut, "Can We Walk Upon The Water." In contrast, the title cut, which closes out the album, boasts a laid-back, sparse delivery that features simple guitar and only a sprinkling of synthesizer. For the most part, husky vocals, funky electric guitar, keyboards, and a variety of both programmed and live percussion bulk out this project's mix. Redman possesses a capable, but not outstanding, voice, which nestles on the right side of ragged. Assuredly, the musicianship on The Friendship And the Fear is first rate and full of energy - superior to much of this genre's standard fare. At times, however, the songs are drawn out for too long, which diminishes their impact. Perhaps, instead of trying to capture a "live," jam feel, Redman should have focused more on the art of the songs.
Thematically, The Friendship And The Fear offers more than just the expected songs of adoration; much of the album's lyrics exhort the Body to holiness. Indeed, Redman's honesty and strong adherence to Scriptural texts are refreshing. The power and poignancy of this verse of "Once Again" is representational of much of this project's content:
Jesus Christ, I think upon Your sacrifice; You became nothing, poured out to death. Many times I've wondered At your gift of life, And I'm in that place once again, I'm in that place once again.
Without a doubt, The Friendship And The Fear is a welcome introduction to one of the UK's most prominent artists. With a deft combination of introspection and Biblical text, as well as a winsome mix of accessible melodies with darker edges, Matt Redman provides a stark contrast to many of his fluffy American counterparts.
Other coverage for this album
The Phantom Tollbooth 1999Reviewed by James StewartThe latest in a growing number of UK based artists to get distribution in the US CCM market recently is acclaimed worship leader and songwriter Matt Redman. This album shares its name with his most recent UK release, but the track listing is somewhat different, combining songs from the UK release and an earlier album, Passion for Your Name. Musically, the songs here fit together pretty well--they…
The Phantom Tollbooth 1998Reviewed by James StewartOne of the most influential movements amongst young British Christians is "Soul Survivor." It originally grew out of a popular charismatic evangelical conference called "New Wine," but Soul Survivor has now established its own festival, youth church, celebration events, and magazine, and has a strong reputation for worship music. Matt Redman is the main worship leader involved with the Soul…Similar sounding releases
2004Chris RiceShort Term Memories
2003Kenny McCaffertyWarm Waters
1999Noel RichardsCalling All Nations
1999Geoff MooreGeoff Moore
1997Jars of ClayMuch Afraid
1995Carolyn ArendsI Can Hear YouMore from Matt Redman
2002Where Angels Fear To Tread
2000The Father's Song
2001All Around the World
1998Intimacy
2004Facedown
2005Blessed Be Your Name: Songs of Matt Redman Volume I




