The Lost Archives Surfacing the reviews of our forgotten youth
    7ball #12
    7ball #12/Split Level
    Split Level — glo.bal cover

    Split Level

    glo.bal

    Reviewed by Bruce A. Brown

    Label Organic Records7ball #12May/June 1997
    new wavepower poproots rock

    Split Level is a trio which hails from Ireland. Although the band's history dates back nearly a decade, and it has had two previous best-selling releases in Europe, glo.bal is Split Level's international debut. As it's an energetic amalgamation of the many influences which the group has soaked up over the years, "modern rock" would seem much too narrow a description of Split Level's sound. The group artfully mixes '80s New Wave (such as Elvis Costello and Graham Parker), power pop (like The Plimsouls or Undertones) and '90s roots rock (Counting Crows, Tom Petty). Much credit should go to producer Rick Elias, who is a contemporary of Split Level in both age and influences. The band clearly had a great time in the studio, under Elias' sharp guidance. Since there's not a pervasive Christian music "scene" in the U.K., that means bands based there can often take greater liberties with their lyrics (no airplay equals no advertisers to offend, I suppose). Split Level is not brash, but rather, thought-provoking. "Shrinking Brain" adulterates "the troubles" in Northern Ireland; "If I Should Leave" reminds us not to try and escape God's watchful eye "by the back door"; "Twister" shows how quickly and easily the truth can be distorted, while "Emily" is a pointed expose of the underground abortion movement in Great Britain. Brimming with both spunk and compassion, glo.bal is a welcome calling card from a terrific band.

    Also in 7ball #12

    Grits — Factors of the SevenSpooky Tuesday — DissonanceSilage — WatusiReality Check — Reality CheckChristine Glass — HumanThe Choir — Let It FlySpy Glass Blue — ShadowsStarflyer 59 — AmericanaCurious Fools — ReadDamien Jurado — Waters Ave. S.