The Lost Archives Surfacing the reviews of our forgotten youth
    HM Magazine #82
    HM Magazine #82/Tenderfoot
    Tenderfoot — The Devil & Rock and Roll cover

    Tenderfoot

    The Devil & Rock and Roll

    Reviewed by A Girl Called Gordon

    Label Bulletproof RecordsHM Magazine #82March 2000
    rockemo

    Yes. This band is made up of former members of Dear Ephesus. No. This band doesn't really sound like Dear Ephesus. Now that that is out of the way, let's get down to the nitty-gritty. Listening to this album once opened my eyes to the reason that Brett Levson and Lu DeFabrizio fell in love with this band . . . it's music that inspires them. Pure and simple. They hit hard the rock & roll that they grew up on. The drum beats are rock, the guitar riffs are rock . . . with a good blend of emo. Every once and a while Adam lets fly a guitar solo. Nice touch! The bass pushes everyone along and still stays tight with the rest of the band. Brett takes the lead vocals with a clear voice and Lu backs him up on several of the songs, sometimes with a rock anthem feel. At times, though, Brett weakens on his vocals, almost as if he is losing breath support. The songs are fun to listen to. The beginning of track 5, "Hindsight," reminds me of the bass line of the Fat Albert theme song. Does anyone remember that? "The Beauty of Iowa" has a storyline that is reminiscent of The Beatles' "Ob La Di." As far as the lyrics go, they are straight forward without a lot of guessing as to what they would be about. It's refreshing. From what I understand they are going to be touring around a bit this year, and hopefully their live show is as good as this cd. It's a keeper!

    Also in HM Magazine #82

    Edge of Mortality — World HateNo Innocent Victim — Flesh and BloodBalance of Power — Book of SecretsMark Krischak — Generation XXXApologetiX — Biblical GraffitiDark Audio Project — Music For A Non-Visible FilmPop Unknown — If Arsenic Fails, Try AlgebraMayfair Laundry — New and ImprovedVarious Artists — Glory Hallelujah AmenBetrayal — Leaving Nevermore