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    The Phantom Tollbooth 1999/Tragedy Ann
    Tragedy Ann — One Nation Under God cover

    Tragedy Ann

    One Nation Under God

    (1999)

    Reviewed by Josh Spencer

    DiscogsBandcamp
    Label Organic RecordsThe Phantom Tollbooth1999
    alternative rockgrungehard rocksouthern rock

    Tragedy Ann's debut was a letdown for many fans of frontman Mikee Bridges' previous outfit, Sometime Sunday. It was okay, but the positive power rock just didn't stack up to the mournful grunge they were used to. But hey, everyone has a bad day every once in a while (and in fact, that album was rushed to be written and recorded in little more than one), and some held out hopes for the sequel.

    Tragedy Ann has been anxious to show they could do better, and One Nation Under God is already here. Once again, expectations prove to be a curse. Not that there's no improvement--because there's much--but it's clear that Sometime Sunday must be left to rest in peace. It's kind of like the change from old Metallica to new Metallica. There's no going back. This is a new band, and Mikee is a different man.

    This is more of the same pop post-grunge of Lesser, but with a greater amount of southern rock splashes in the form of drum fills, lead guitar licks, and harmonica. The stronger songs are very simple power chord beasts, the tones distorted but still friendly, the vocals closer to upbeat and samey Foo Fighters than melancholic and varied Pearl Jam or Nirvana.

    Coming from anyone else, the basic "I Love Jesus" lyrics of One Nation Under God might come across as cliche or fake. But knowing Mikee's open struggles with sin and doubt in the ragged past of Sometime Sunday (they were called "Sometime Christian" by some), it can only bring a smile to know he's singing from a heart which has been lifted from the valley to the mountaintop.

    There's still conflict with the Pharisees in "Preachin' Lies" ('you think I'm low/ No Spirit in my soul/ But it's your hands, mister, around my throat') and dropped-head pleading in "Seek" ('can you help me Jesus?/ Can you help me to breathe?/ I will only suffer when i lead'), but for the most part the lyrics are either praise & worship or love songs to his wife and daughter, straightforward and sincere. Oddly, there are no songs related to the political nature of the album title, but perhaps it's a reference to unity in Christ rather than Religious Right ideology. The last three songs are worship in sound as well as word, turning down the distortion and tempo for some typical chorus songs you might hear in any youthful modern church. And don't miss the delayed studio chatter beginning with track 33--a revisiting of the same thing done on Sometime Sunday's Drain, but not as funny or interesting.

    One Nation Under God is a fine record, but I'd be lying if I said I wasn't still waiting for something better. Tragedy Ann just doesn't seem to have pulled it together yet. The cowboy rock elements are too sparse for a convincing originality to shine, the seams too obvious where they've been sewn into the main sound. Also, Mikee still isn't tapping into his full vocal potential. Most of the time, he sounds too comfortable and laid back. Where's the intensity of old? With this band, I think the laziness means they can only get better.

    3 tocks

    Other coverage for this album

    7ball #24Reviewed by Mike ParkerTragedy Ann's follow-up to last year's surprise hit, Lesser, is chock full of its own surprises. For one thing, the whole tone of One Nation Under God is less dark, less foreboding, less angry than Lesser. For another, the production values have shot through the roof. This album rocks. No artificial flavors; no artificial colors; no kidding. This is standard, three-chord progression, double-kick…HM Magazine #77Reviewed by Doug Van PeltI was very curious to see how Tragedy Ann would settle in to their new sound. Having made the drastic jump from its muscle heavy grungified Sometime Sunday music, Mikee Bridges and company practically made Tragedy Ann a bonafide Southern Rock band (minus the slide guitars and references to whiskey). Mikee's voice really fit the music, and the songs were done well. Now that they've established…

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