Usually we try to "keep up" with reviews--we like to get them in within a month or two of the album's release. This one is considerably late. We didn't even know about the project until Motown sent a copy our way. If I hadn't been so impressed with this project, I probably would've let this one slide.
Initially, I didn't expect to have much interest in it. I'm not much of a fan of urban sounds and not interested in the Black Gospel sound.
I also figured that the project would lack feeling and intent. Of course, I can't judge the intent of the artists, but the singing seems sincere. The liner notes state "Motown Comes Home is a tapestry of Gospel and inspirational music and a tribute paid to it be many of Motown's finest artists; who live their own lives through faith... through this production, inspiration for the soul, giving celestial glory to almighty God." Sure, lip service isn't everything, but the performances contained deep emotion. I was very impressed at the strong emotional vibe that I felt, and even more so by the spoken interludes of personal faith, devotion, and encouragement for living in this fallen world.
"Gotta Hold On" performed by Strate Vocalz is one of my favorite tracks. It has a simple, with a Gospel vibe, with very smooth background vocals. Strate Vocalz also adds "His Name Is Jesus," while other performances are offered by: Shanice and Crystal & Penni Wilson with "Searching;" "Do They Know" by Boyz II Men; Brent Jones and the T.P. Mob with "Spirit Control Me;" "Broken Pieces" by The Temptations; Trey Harris singing "Just When You Think It's Over;" "I'll Keep My Light in My Window" by Smokey Robinson; and Johnny Gill with "I Know Where I Stand."
I think that the opening track, "Come By Here (Kum Ba Ya)," is a little overdone, as Ali Woodson, Shanice, Stevie Wonder, Smokey Robinson, Howard Hewett, Trey Harris, and System 3 all take parts of the 5 and a half-minute song. Each artist takes the tune in a particular direction, making it just a little too "schizophrenic" for my taste--yet it packed a bunch of energy, especially in the reggae section.
I was a little disappointed that they only printed lyrics to the choruses in the liner notes--they could have easily included the whole lyrics, no doubt. But, aside from that minor gripe, I was impressed with the project.
If you like urban or Black Gospel sounds, you should like this a lot.
