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    The Phantom Tollbooth 2003/Glenn Kaiser Band
    Glenn Kaiser Band — Blacktop cover

    Glenn Kaiser Band

    Blacktop

    (2003)

    Reviewed by Darryl A. Armstrong

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    Label Grrr RecordsThe Phantom Tollbooth2003
    blues rockhard rockrock

    Glenn Kaiser has been making powerful music for a long time. From his days as the frontman of The Resurrection Band to his solo blues oriented recordings to his power rock trio the Glenn Kaiser Band, two things have always been constant, well played infectious music and a firm foundation on the gospel message. This album, Blacktop, the third from The Glenn Kaiser Band is no exception. In fact, both the music and the message are as strong here as they have ever been.

    Fans of both the Rez Band and Kaiser's solo blues work should find something to like about this album. All twelve tracks are tight, rocking cuts infused with Kaiser's own blues style delivery. This brings up the only real complaint I have with this album -- there isn't a ten minute jam session cut where Kaiser, drummer Ed Bialach and bassist Roy Montroy all let loose. However, across the twelve songs here all three do have plenty of moments to shine, so maybe a prolonged jam might have been overkill. As it is, this album can stand toe-to-toe with just about any release from Lynyrd Skynyrd or Grand Funk Railroad.

    Roy Montroy in particular makes his presence felt on this album, writing or co-writing nine of the twelve tracks and anchoring the music with his impressive skill on the bass guitar. But two other names need to be mentioned, lending their weight to make this project the beast that it is. Rick Derringer, former member of The McCoys, whose "Hang On Sloopy" knocked the Beatles' "Yesterday" out of the No. 1 spot back in 1965, and famous for his single "Rock and Roll Hoochie Koo" lends his guitar to the first single off this album, "Save Me from Myself." Derringer has also played with other artists ranging from Alice Cooper to Richie Havens to Todd Rundgren to Cyndi Lauper and actually produced some of Weird Al Yankovic's most successful recordings. The other notable guest appearance comes from guitar virtuoso Dave Beegle of the band Fourth Estate.

    Blacktop opens with the title track and the lines of a despairing soul:

    Got my keys, went out the door
    Could not take it, anymore
    All the fussin', cryin' and moan
    Leavin' misery, this ain't no home

    The guitars pick up there and don't stop until the last song, "Facin' the Music," which ends with a proclamation of the good news:

    Facin' the music
    Layin' it down
    All in the book
    It's bein' written down
    writin' the story
    Love is My design
    The Truest love
    You're ever gonna find

    Blacktop isn't going to receive much air play on CCM radio, which has for the most part become strictly pop-oriented, but somehow I don't think Kaiser and company are too concerned about that.

    4 tocks

    Other coverage for this album

    The Phantom Tollbooth 2003Reviewed by Dave KerschbaumFor close to thirty years, musician/pastor/Cornerstone Festival guru Glenn Kaiser has been making blistering rock and blues music, with the occasional pause for a contemplative worship album here and there. For the past decade or so, Kaiser has ventured away from fronting the pioneering Resurrection Band for the sake of solo discs and projects with his Glenn Kaiser Band. Blacktop, the latest from…

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