
After more than twenty years of making great Christian rock, the folks in The Resurrection Band (formerly known as REZ, formerly known as The Resurrection Band) could have rested on their laurels. Instead, with each new album they've stuck out their necks a little and explored new sounds. Lament is not only full of musical exploration, but is a lyrical experiment as well. The project is a concept album, telling a story, through its 14 songs, of a young man's journey in search of answers to life's questions.
Lament continues in REZ's hard-hitting tradition. "Song And Dance," for example, is a cathartic rocker along the lines of "Lightshine" and other great REZ numbers. In general, the album is a step back toward their musical roots: "Summer Throw," has a 70's flavor reminiscent of The Who or Kansas; "Richest One" could have come straight from Dylan or Clapton, though the choir blends more smoothly with the lead vocal than on any Dylan album. "Across These Fields" recalls their earlier "Under the Gun." The blues and folk influences that colored earlier albums are evident here, too. Indeed, it's impressive that REZ blends together so many musical elements to tell a coherent story-the album is almost a rock opera, albeit one with a meandering libretto.
Although they may be revisiting their roots, the sound is thoroughly modern. "Dark Carnival," a mini rock opera in itself, uses contrasting tonal colors, dynamics, and extra-musical sounds to particularly good effect. REZ's years of experience and the production work of King's X's Ty Tabor complement one another nicely: Tabor's trademark fat guitar sound certainly shaped this album, but REZ never gets lost in the mix.
As the project tells a story, the individual songs aren't stellar on their own, they really need to be taken as a whole-although a couple pieces can be taken out and stand on their own. The story is clear and direct as it tells of a man without God as he searches for answers and keeps coming up empty-until he accepts Christ.
My complaints? REZ hasn't had nearly enough snoring on their albums lately; worse, the advent of the compact disc means no more great album covers. But that's the price you pay for progress...
Other coverage for this album
Salt #29Reviewed by GargantuanI don't believe it! Resurrection Band put somethin' out that's not sucky 80's blues metal, yeah! I think that might of had something to do with Ty Tabor (King's X) producing (& playing a bit) this album. Now this is no return to Rez's glory days of Awaiting Your Reply or Rainbow's End, but praise to God Almighty, they finally progressed. I've heard alot of people say that this is a King's X…
Heaven's Metal #54Reviewed by Doug Van PeltI'm terrified of hype. I don't know if it's because I've been disappointed so many times before or not. You know how it is: You hear that "this is the band's best album to date," and you have to wonder if they say that with every album. Now that I've heard the album, I'm glad to report that I'm not disappointed. This album finds the band returning to its basic roots of gutsy, blues-inspired hard…
7ball #1Reviewed by Chris WellAfter more than 20 years and scads of albums, it must be really hard to be Resurrection Band. Although they really have turned out solid product all these years, it's been a while since they actually surprised anybody. Lament may change all that: Although their experiences as members of the Chicago inner-city ministry Jesus People USA has always infused their music with a natural sense of drama,…Similar sounding releases
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1997King's XBest of King's X
2004LiveAwake: The Best of Live
2004Jerry GaskillCome SomewhereMore from Resurrection Band
1991Civil Rites
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1991Awaiting Your Reply
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