You know, I was surprised with this album. From everything I had heard, I thought Loudflower was going to be a ska band. And that's not really true. Yes, they have horns, but this isn't danceable stuff, so to speak. It's got insightful lyrics and lots of electric guitar, but there's also a brass line that has tremendous talent as well. Loudflower has evidently made a name for themselves around Atlanta, which is where they're from. They've played with the likes of Dance Hall Crashers, Hootie & The Blowfish, and Veruca Salt. A lot of these songs are just plain catchy, which is nice to be able to sing along with.
I have a lot of respect for horn lines, too, since I used to play trumpet back in the day, and Loudflower's horn line (trumpet & trombone) is definitely impressive. On some songs they're the key element, but on other songs, they take a back seat to the guitars. But that's what I like, I suppose. You know, I'm not really too sure why I like this album, but I do.
One song that I really think showcases Loudflower's typical sound is "I Guess I Need You". However, all the songs are amazing and worthy of your money. So go down to your local music store and check out Loudflower's Happy Now?
Other coverage for this album
The Blue Star Journal July 1997Reviewed by David ReynoldsI like nice surprises. This record was a nice surprise. I think I expected another one of those post punk/power pop offerings a la The Waiting, Smalltown Poets, The Altered, etc. (There is nothing wrong with those bands, but ENOUGH ALREADY!) With some minor trepidation, I loaded this disc in my player. With the first blast of horns I grimaced -- NO MORE SKA EITHER! (I have nothing against ska,…Similar sounding releases
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