
Lucerin Blue are a four-piece hard rock band out of Canada. "Tales of the Knife" is their first record for Tooth and Nail.
Lucerin Blue combines melodic vocals with aggressive, riffing guitars; the occasional screaming and sporadic softer, melodious instrumentation elicits comparisons to bands like P.O.D. and Linkin Park. Like those bands, Lucerin Blue offers a sound that is both accessible and radio friendly. Something, however, seems amiss with "Tales of the Knife." It might be the way the cd begins: A single piano plays an alluring tune. The piano stops and a single guitar is added to the mix. Shortly thereafter the band jumps in: riffing guitars appear, large drums come pounding in, and half-screamed, sort-of-but-not-really-rapped vocals dripping with machismo all combine to start Lucerin Blue on the wrong foot. For the most part, this mixture serves as the formula for all of "Tales of the Knife." It seems the amount of "toughness" in the vocals diminishes as the album goes on; indeed song two, "A Monday in Vegas," probably the strongest track on the record, prominently displays a balance between half-screaming and melodious singing and seems far more representative of the typical Lucerin Blue effort.
"TOTK" is probably not a record that will impress too many folks. It sounds incredible, but the jaded listener will no doubt chalk that up to modern recording technology. Lucerin Blue stumbles trying to offer profound lyrics, but do not fall so far as to be labeled trite.
C-
Other coverage for this album
The Phantom Tollbooth 2003Reviewed by Darryl A. ArmstrongIt's become a trend in the Christian music industry for bands to merely copy the sound of more popular secular artists. On first listen, it becomes quite apparent that Lucerin Blue is going after the Linkin Park sound with a pinch of Foo Fighters thrown in for good measure on their debut release, Tales of the Knife, for Tooth & Nail Records. But before anyone writes them off as just another CCM…Similar sounding releases
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