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    HM Magazine #74/World Against World
    World Against World — Until the Day Breaks and the Shadows Flee Away cover

    World Against World

    Until the Day Breaks and the Shadows Flee Away

    (1998)

    Reviewed by Brian Vincent McGovern

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    Label Bulletproof MusicHM Magazine #74November/December 1998
    doom metalhardcore punkmetalcorepunk

    You can already imagine from the title that these guys may have studied at the Roadside Monument school of naming things -- especially with songs like "Our Nation of Thoughtlessness Celebrates Immorality, While Seeking Independence From, But Nevertheless, Finding a Plague of Sorrow." There's a mouthful. The feeling behind most of the lyrics is a general warning to those who may be blissfully flailing in a swill of immorality.

    Vocals and energy at times remind us of Scaterd Few, while some of the singing isn't too different than that of One 21. The production? We're talkin' big, yet surprisingly slick, with even some harmonizing guitars, almost like you might hear in a speed metal record. But speed metal it ain't... Nor is it the dirty punk rock of the band's former incarnation, SpudGun. Stylistically, the record would be more along the lines of Warlord, among others, with a bunch of slow, downtuned metal riffs, and ultra-chunky low-end. Some of the faster material could even be compared to a little of the Crucified's stuff.

    A far cry from SpudGun, where everything, including the music and production to the artwork was quickly done to meet deadlines, and therefore sub rate. What we have here was a long time in the making, and it's obvious that a lot of effort and study went into the making of this record.

    Other coverage for this album

    The Lighthouse Unsorted 1999Reviewed by Stacey Lee FeldmanWhen Spudgun became World Against World, more changed than just their name. In fact, World Against World is a whole new ballgame. This band now has decidedly gothic tendencies. One look at the cover of their new album, Until The Day Breaks And The Shadows Flee Away, evidences this transformation. While mainstream gothic and hardcore bands are a dime a dozen, reveling in death, hatred, and the…The Phantom Tollbooth 1998Reviewed by Josh SpencerOne of the most forgettable bands in recent years was the 80's hardcore/punk band Spudgun, who released an album a year or two ago of crashing noise and frustration with little talent and no ingenuity. Now they're back with a new name--World Against World--and, perhaps due to Chris Colbert's production hand, they've made something a bit more interesting. Until the Day Breaks and the Shadows Flee…Dead Zine 1998Reviewed by D_ListerScroll down to the end of this review, you're not going to believe it. Yea, that's right, D_Lister reviewing what is known as a punk album, and what's that, a pretty good rating for it as well. To be honest this album has a real crustcore feel to it. Here, let me explain a bit. It's no secret that the band Spudgun lost their drummer and replaced him with a guy named Jasson Patterson. With this…Dead Zine 1998Reviewed by FletchThese guys are awesome live. I don't know them personally but I am good friends with a band they like to play with called Luti-Kriss. That would explain my disappointment with this cd. As a member of Luti-Kriss described the cd to me before I heard it, "I wish they could go back and re-record it...cause they're so much heavier now." I'd believe it if I were you. These guys are really heavy and…

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    Also in HM Magazine #74

    HangnailHangnail '981998Third/CrowThe Denial1998Wedding PartyAnthems1998Dale ThompsonAcoustic Daylight1997Various ArtistsLive At Tom Fest1998Dying ManDark Night of the Soul