
An album as consistently strong, accessible, and fun as Jesus Freak comes along so rarely that it is not fair to expect dc Talk to follow it up with an album that exceeds such high fans' expectations. Nevertheless, they have very nearly accomplished that task with Supernatural, an album that is considerable in its own right.
Supernatural is to Seal's second self-titled album of "Kiss from a Rose" fame, what Jesus Freak was to Seal's first album. Ultimately more lush but less immediate, Supernatural proves itself with repeated exposure. Furthermore, whereas both Seal's first and dc Talk's Jesus Freak were buoyed by strong upbeat singles (i.e., "Crazy" and "Jesus Freak" respectively)--like Seal's second, Supernatural is an album with fewer super-hit-singles, but no throwaway tracks. There are still an album's worth of singles here. Freed to experiment and create art in the nearly virgin territory of alternatively-shaded soul music, both artists succeed by accomplishing something of the highest caliber in a relatively uncommon niche. Plus they sound great doing it!
Now on Virgin Records, dc Talk has (presumably) an even bigger budget, allowing them to add lavish amounts of admirable production. Consequently, you won't hear many other albums that sound this well made. The band Zilch is still backing up the trio with great funky alterna-R&B style. How many bands have one singer as good as this, let alone three? Whatever the amount of money they spent to make this album, it pays off in a superb signature sound that is still diverse but rooted in their love of both soul and more modern music styles. It is a hybrid worth hearing whose time has come.
Both new and old fans of the band concerned about lyrical content are in fine shape, too. dc Talk continues to adhere to the highest artistic standards while clearly communicating the essentials of our shared faith. The gospel message is clearly communicated and with such musical accessibility that dc Talk not only witnesses to their faith, but makes it seem absolutely attractive. Though some of the lyrical statements bear a seeming simpleness, they are all delivered solidly in the common vernacular of today's hip generation. Our prayer, therefore, ought to be that more and more listeners find themselves reading the Lord's "Red Letters" in the gospel, exclaiming "Consume Me" to the Holy Spirit, and ultimately "Into Jesus" as each of these songs declare.
If this potently groovy composite is what young people favor these days, we can all take hope. Given dc Talk's continuing high exposure, increasing numbers of people will not only have noteworthy music to enjoy, but hear the desperately needed transforming message that Jesus not only saves, He's just plain cool!
4 tocks
Other coverage for this album
Exit Zine 1999Reviewed by Laura DawkinsIt's growing on me. If you're even going to claim to be a hard-core, Jesus Freak, Tobymikeandkevin fan, you just can't pop their new CD in your player and expect the spinning to produce even close to the same sounds as it did with their last album. This talented trio has changed drastically with each release. Don't believe me? Check out "I Luv Rap Music" on Nu Thang. Although this ability to…
HM Magazine #74Reviewed by Brian Vincent McGovernThe cool thing about this band is that each record has significant differences from the previous discography. Some fans gladly moshed when Jesus Freak came out, learning every word to every song; others stood in the corner with arms folded, muttering "Sellouts" under their breath; still others, like me, for instance, enjoyed the new music, realizing that Toby, Mike, & Kevin know their own hearts…
The Lighthouse Unsorted 1998Reviewed by Paul Michael CarhartSince the release of their second album, Nu Thang, in 1990, dc Talk has continuously and consistently reinvented themselves with each subsequent project. The threesome threw both fans and industry insiders for a loop when "that Christian rap group" released Jesus Freak in 1995 with nothing more than vestigial rap influences evident on the recording. With Supernatural, perhaps the most anticipated…
ReAL Magazine 1998Reviewed by Josh L!Supernatural is dc Talks' fifth release. Of the fourteen tracks, twelve are what most would call regular rock songs, while the first and last tracks create an incredible bookend effect. If you're not a lyric-reader, or if you buy albums for background music, the album's diversity may yield little glue to hold it together. I encourage you to drop the bad habit of never studying the meaning behind…
The Phantom Tollbooth 1998Reviewed by James StewartYet another history making record for DC Talk, Supernatural entered the Billboard top 200 at number 4. Given their previous success, this was perhaps inevitable. It is sure to be a big seller for a while to come in the Christian music marketplace; maybe beyond. Unfortunately, the album follows something of a tested and tried formula: slightly more restrained than the title track of Jesus Freak,…
The Phantom Tollbooth 1998Reviewed by Joe RockstrohWhat is quite possibly the most hyped and anticipated album of 1998 is out. Does it deliver? I have to say "Yes." I've been following dc Talk for a long time, having purchased every album in succession of release. Stylistically, each record has been a deviation, however dramatic, from the previous one: from Beastie Boys hip hop, to Fresh Prince style rap, to a more refined urban hip hop, to the…Similar sounding releases
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1989DC Talk
1994Free At Last Extended Play Remixes
1997Welcome to the Freak Show (Video)
1995Jesus Freak
2000Intermission
2001Solo




