This long-awaited release by the Galactic Cowboys should turn the metal and rock world on its ears. Innovation and creativity are always welcome and notable qualities, but when the songs are written this good, a critic can't help but drool and play this release over and over again. For me and my stereo, this is the most exciting release of 1991. The massive vocal harmonies of all four members make the band instantly likable, especially with the great hooks in songs like "I'm Not Amused" and "Why Can't You Believe In Me" (which includes a memorable a cappela chorus at the end). The Cowboys aren't afraid to experiment and indulge themselves in their art for long periods of time ("Speak To Me", the album's last cut, clocks in at 11:30!), but can keep the listener interested with each mood change by performing tight and playing with all the gusto of a professional wrestler on friday night. "Sea Of Tranquility" is an excellent example, which starts off with monstrous bass notes that rise with volume and reverb at 10, and then the song cascades into some swirling harmonies, only to stampede into 80 mph riffing and NASA space center transmissions later. "Pump Up The Space Suit" is a nice, juvenile anthem with a simple chorus shouting the song title at full volume. "Kaptain Krude" shows the band's sense of humor, as well as revealing a sense of frustration over the wreckless treatment of earth's resources by the Exxon Valdez: "Take a ride on the slick/ take a swim and you'll stick..." Lyrically the band has shown a maturity and talent in its penmanship, staying away from cliches and preaching. Like vocalist Ben Huggins so eloquently and/or inanely put, there is no "truism or platitude that someone could base their life upon," save for the advice of a father for his love-sick son: "don't worry...there's someone for everyone." ("Someone For Everyone"). One brilliant effort. With a debut album like this, the future will be anything but boring and predictable for this talented band. But, I will be so bold as to predict success. I think artists like CSN&Y and the remaining Beatles will be flattered by the vocal similarities, while bands like Metallica will shake in their boots, saying, "How are we gonna compete with that?"