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    Heaven's Metal #51/Mortal
    Mortal — Wake cover

    Mortal

    Wake

    Reviewed by Jeremy Choi

    Apple Music
    Label IntenseHeaven's Metal #51January/February 1995
    grungealternative rock

    With the purchase of Mortal's final release, Wake, Mortal fans may be caught slightly off-guard -- aslisteners may expect something comparable to their previous album, Fathom. However, upon closer inspection, it will soon be apparent that this release is chock-full of surprises.

    One of the changes which one will soon discover is that Mortal is no longer just Jyro and Jerome, but two other well-talented musicians have been "mortalized" as well -- Troy Yasuda and Ed Giles Benrock (who played with L.S.U.).

    Perhaps the biggest adjustment Mortal fans will have to make with this release is in the band's slightly more mellow musical style. Don't get me wrong, though, Mortal does have some really intense and speedy tunes on Wake; however, overall it may be safe to conclude that this release bears little resemblance musically to both Fathom and Lusis. The industrial/dancy sound found on their first two releases is now replaced by a really grungy-sounding musical style. This is quite evident in songs like "Filter;" and, in "June First" and "Oceanful," one may detect hints of a Nirvana-type sound.

    Also notable on Wake are several ballads -- "Speed of Sound," "Fall," a short, but very beautiful song, and "god of three strings." As well, included is an instrumental piece, "Vial," a very emotionally-charged track. "Vial" creates an almost paradise-like atmosphere (like walking on a beach), though it seems to be tainted with some very strong feelings of sadness, waiting, and contemplation.

    The final two tracks deserve special mention: "Nowhere Man," which utilizes the original McCartney/Lennon harmony vocal style, and "To My Darling Whippoorwill," which essentially may be Mortal's parting words, though the lyrics are almost entirely masked by voice distortion.

    Although Wake is very different than Fathom, one must appreciate their change of musical direction. This release definitely showcases Mortal's trademark innovative style, and throughout the album's tracks, their always intelligent and thought-provoking lyrical content is once again evident. Wake is definitely worthy of your inspection, as this album is a very fitting conclusion to the Mortal legacy.

    More from Mortal

    Mortal — PuraMortal — FathomMortal — GodspeedMortal — LusisMortal — Rift

    Also in Heaven's Metal #51

    Kreyson — CrusadersAmy Wolter — Hit Me In The HeartBarren Cross — Rattle Your CageOne Bad Apple — The Worm Has TurnedDeliverance — River DisturbanceFear of Faith — TensionNew Breed Worship — New Breed WorshipFeast or Famine — Lost AgainDandelion Myth — Fish Out, Out Of WaterL.S. Underground — Grace Shaker